"Verklärte Nacht, Op. 4: IV. Adagio (Arr. for String Orchestra by Schoenberg - 1943 Revised Version) (I)" by Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1974. Verklärte Nacht, Op. 4: IV. Adagio (Arr. for String Orchestra by Schoenberg - 1943 Revised Version) (I) appears to be safe for all ages as it is not explicit. There are a total of 16 in the song's album "Schoenberg: Verklärte Nacht; Pelleas und Melisande". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Verklärte Nacht, Op. 4: IV. Adagio (Arr. for String Orchestra by Schoenberg - 1943 Revised Version) (I) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Verklärte Nacht, Op. 4: IV. Adagio (Arr. for String Orchestra by Schoenberg - 1943 Revised Version) (I) by Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in D Minor: II. Scherzo (Bewegt lebhaft) - Trio (Schnell) | Anton Bruckner, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 96 BPM | ||
Symphony No.3 - "Liturgique": 1. "Dies Irae" - Allegro marcato | Arthur Honegger, Berliner Philharmoniker, Herbert von Karajan | C Major | 6 | 8B | 143 BPM | ||
Schließe mir die Augen beide | Alban Berg, Daniel Hope, Simon Crawford-Phillips | C Major | 0 | 8B | 117 BPM | ||
Symphony No.2 In D, Op.73: 3. Allegretto grazioso ( Quasi andantino) - Presto ma non assai | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 83 BPM | ||
Pictures at an Exhibition: The Catacombs (Sepulchrum romanum) | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 85 BPM | ||
Schoenberg: 6 Little Piano Pieces, Op. 19: No. 6 Sehr langsam | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Major | 0 | 6B | 184 BPM | ||
Wagner: Tristan und Isolde, Act 1: "Westwärts schweift der Blick" (Isolde, Brangäne, A young sailor) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Marjana Lipovsek, Uwe Heilmann, Waltraud Meier | D Major | 4 | 10B | 103 BPM | ||
Capriccio Espagnol, Op. 34: IV. Scena e canto gitano | Nikolai Rimsky-Korsakov, Berliner Philharmoniker, Lorin Maazel | C Major | 2 | 8B | 84 BPM | ||
The Wooden Prince, Op 13, Sz. 60: Prelude | Béla Bartók, Neeme Järvi, Philharmonia Orchestra | A Major | 1 | 11B | 77 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 10, Samuel Goldenberg und Schmuyle - Promenade V | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | G Major | 1 | 9B | 87 BPM |