"Agnus Dei" by Tsvetan Mihailov, Choeur mixte de la radio-télévision bulgare, Stela Dimitrova, Teodor Moussev, Orlin Pavlov, Stefka Mineva, Tiha Geniva, Bogdana Popova had its release date on December 7, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Tsvetan Mihailov's "Gioacchino Rossini : Petite messe solennelle" album is number 7 out of 14. On top of that, France appears to be the country where this track was created. In terms of popularity, Agnus Dei is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Agnus Dei by Tsvetan Mihailov, Choeur mixte de la radio-télévision bulgare, Stela Dimitrova, Teodor Moussev, Orlin Pavlov, Stefka Mineva, Tiha Geniva, Bogdana Popova to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem: XIII. Sanctus | Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra | F Major | 1 | 7B | 117 BPM | ||
Stabat Mater: Fac, ut portem Christi mortem | Gioachino Rossini, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino | E Major | 1 | 12B | 79 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: (Scene 1) Entr'acte and Waltz With Chorus. "Vot tak syurpriz!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Jürgen Hartfiel, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
Messa di Gloria, Op.posth., Gloria: Gloria in excelsis Deo - Dominus Deus, rex coelestis | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | C Major | 1 | 8B | 135 BPM | ||
Adriana Lecouvreur: Poveri fiori (Act IV) | Francesco Cilea, Kiri Te Kanawa, Myung-Whun Chung, London Symphony Orchestra | D Minor | 0 | 7A | 87 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Gloria sit Patri Domino" | Gustav Mahler, Heather Harper, Lucia Popp, Helen Watts, Yvonne Minton, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Vienna Boys' Choir, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E♭ Major | 5 | 5B | 102 BPM | ||
Four Songs, Op.2: 2. The Nightingale and the Rose | Nikolai Rimsky-Korsakov, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | B Minor | 0 | 10A | 87 BPM | ||
Villa-Lobos: Bachianas Brasileiras No. 5 for Soprano and 8 Cellos, W. 389: I. Aria in A Minor (Cantilena. Adagio) | Heitor Villa-Lobos, Enrique Bátiz, Royal Philharmonic Orchestra | F Major | 1 | 7B | 104 BPM | ||
Pavane, Op. 50 (version for choir and orchestra) | Gabriel Fauré, OSJ Voices, St. John's Orchestra, John Lubbock | F♯ Minor | 0 | 11A | 139 BPM | ||
Iolanthe: Go Away Madam | Elizabeth Woollett, Jill Pert, Richard Suart, New D'Oyly Carte Opera | E♭ Major | 2 | 5B | 52 BPM |