"Uno Jointo Postouro, Serie 5, No. 5" by Joseph Canteloube, Patricia Rozario, Philharmonia Orchestra, Sir John Pritchard was released on January 1, 1990. The duration of Uno Jointo Postouro, Serie 5, No. 5 is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Uno Jointo Postouro, Serie 5, No. 5's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Songs Of The Auvergne". In this album, this song's track order is #4. Uno Jointo Postouro, Serie 5, No. 5 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Uno Jointo Postouro, Serie 5, No. 5 by Joseph Canteloube, Patricia Rozario, Philharmonia Orchestra, Sir John Pritchard having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Gadfly Suite, Op. 97a: Romance | Dmitri Shostakovich, Nemanja Radulović, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | D♭ Major | 1 | 3B | 135 BPM | ||
Scheherazade: The Young Prince | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 91 BPM | ||
Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Elisabeth Leonskaja, Hugh Wolff, Saint Paul Chamber Orchestra | G Major | 0 | 9B | 62 BPM | ||
Adagio - Spartacus | Aram Khachaturian, Royal Liverpool Philharmonic Orchestra, Libor Pešek | A♭ Major | 1 | 4B | 116 BPM | ||
Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM | ||
Peer Gynt Opp.46 & 55, Excerpts, Suite No. 2, Op.55: Solveig's Song | Paavo Berglund | A Minor | 0 | 8A | 91 BPM | ||
Foulds : Keltic Suite Op.29 : II Lament | John Foulds, City Of Birmingham Symphony Orchestra, Sakari Oramo | D Major | 0 | 10B | 83 BPM | ||
Puccini: Tosca, Act 2: "Vissi d'arte" (Tosca) | Giacomo Puccini, Kiri Te Kanawa, Kent Nagano, Orchestre de l'Opéra de Lyon | E♭ Major | 2 | 5B | 89 BPM | ||
When I Am Laid In Earth (Dido's Lament) | Henry Purcell, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | F♯ Minor | 0 | 11A | 72 BPM | ||
Vocalise, Op. 34, No. 14 - Remastered | Sergei Rachmaninoff, Anna Moffo, Leopold Stokowski, American Symphony Orchestra | D Major | 1 | 10B | 100 BPM |