Giacomo Puccini, Juan Diego Flórez, Orchestra Sinfonica di Milano Giuseppe Verdi, Carlo Rizzi's 'Gianni Schicchi: "Avete torto!...Firenze è come un albero fiorito"' came out on January 1, 2004. The duration of Gianni Schicchi: "Avete torto!...Firenze è come un albero fiorito" is about 3 minutes long, at 3:19. Based on our data, "Gianni Schicchi: "Avete torto!...Firenze è come un albero fiorito"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Juan Diego Flórez, Orchestra Sinfonica di Milano Giuseppe Verdi, Carlo Rizzi's "Juan Diego Florez: Great Tenor Arias (with bonus track "Malinconia" - recorded Live in Recital)" album is number 10 out of 11. On top of that, United Kingdom appears to be the country where this track was created. Gianni Schicchi: "Avete torto!...Firenze è come un albero fiorito" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gianni Schicchi: "Avete torto!...Firenze è come un albero fiorito" by Giacomo Puccini, Juan Diego Flórez, Orchestra Sinfonica di Milano Giuseppe Verdi, Carlo Rizzi to be Larghetto (rather broadly) because the track has a tempo of 66 テンポ, a half-time of 33テンポ, and a double-time of 132 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 3 | 6B | 142 BPM | ||
Delibes: Lakmé, Act 1: Flower Duet - "Dôme épais le jasmin" (Lakmé, Mallika) | Léo Delibes, Jennifer Larmore, Hei-Kyung Hong, Jesús López-Cobos, Munich Radio Orchestra | A♭ Major | 0 | 4B | 181 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Largo from Xerxes | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | ||
The Magic Flute, K. 620, Act II: Pa-Pa-Pa-Pa-Pa-Pa-Papagena! | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | G Major | 2 | 9B | 112 BPM | ||
Dvorák: Rusalka, Op. 114, Act 1: Song to the Moon | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Das Münchner Rundfunkorchester | F♯ Major | 1 | 2B | 81 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM |