"Sonata for Violin and Piano No. 3: III. Adagio (Cantabile) - Andante con spirito" by Charles Ives, Hilary Hahn, Valentina Lisitsa was released on January 1, 2011. Since Sonata for Violin and Piano No. 3: III. Adagio (Cantabile) - Andante con spirito is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 12 in Charles Ives: Four Sonatas by Charles Ives, Hilary Hahn, Valentina Lisitsa. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Sonata for Violin and Piano No. 3: III. Adagio (Cantabile) - Andante con spirito is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata for Violin and Piano No. 3: III. Adagio (Cantabile) - Andante con spirito by Charles Ives, Hilary Hahn, Valentina Lisitsa is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Six Pieces For Orchestra, Op. 6 - Original Version (1909): I. Etwas bewegt | Anton Webern, Berliner Philharmoniker, Pierre Boulez | B Major | 0 | 1B | 167 BPM | ||
Symphony in F Major, Op. 8, "The Cotswolds": II. Elegy: Molto adagio (In Memoriam William Morris) | Gustav Holst, Ulster Orchestra, Joann Falletta | G Major | 1 | 9B | 133 BPM | ||
Ligeti : Hamburg Concerto : III Aria, Aksak, Hoketus | György Ligeti, Reinbert de Leeuw | C Major | 1 | 8B | 114 BPM | ||
Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 3. Finale (Allegro molto) | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | F♯ Minor | 0 | 11A | 84 BPM | ||
Memories, Very Pleasant & Rather Sad (A Charles Ives Song Set): I. Remembrance | Charles Ives, Jonathan Elkus, Sara Dell'Omo, United States Marine Band, Jason K. Fettig | E Minor | 1 | 9A | 81 BPM | ||
Pie Jesu | Lili Boulanger, Olivier Charlier, Magali Demesse, Aude Perin Dureau, Eric Lebrun, Emile Naoumoff, Francis Pierre, Doris Reinhardt, Isabelle Sabrie, Raphelle Semezis | C Major | 2 | 8B | 82 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Phantasy Quintet: I. Prelude | Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones | F Major | 0 | 7B | 86 BPM | ||
2 Thoughts About the Piano: No. 2. Catenaires | Elliott Carter, Ursula Oppens | F♯ Major | 3 | 2B | 68 BPM |