"Sacrae symphoniae: Canzon septimi et octavi toni a 12 (arr. E. Crees for brass)" by Giovanni Gabrieli, Eric Crees, London Symphony Brass had its release date on September 26, 1997. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Sacrae symphoniae: Canzon septimi et octavi toni a 12 (arr. E. Crees for brass)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giovanni Gabrieli, Eric Crees's "Gabrieli: Music for Brass, Vol. 1" album is number 2 out of 16. In terms of popularity, Sacrae symphoniae: Canzon septimi et octavi toni a 12 (arr. E. Crees for brass) is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sacrae symphoniae: Canzon septimi et octavi toni a 12 (arr. E. Crees for brass) by Giovanni Gabrieli, Eric Crees, London Symphony Brass to be Andante (at a walking pace) because the track has a tempo of 92 テンポ, a half-time of 46テンポ, and a double-time of 184 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Bourgeois Gentilhomme, LWV 43: Canaries (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | D Minor | 3 | 7A | 84 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: V. Polonaise - Double | Johann Sebastian Bach, Akademie für Alte Musik Berlin | B♭ Minor | 0 | 3A | 125 BPM | ||
Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto | Johann Sebastian Bach, Monica Huggett, John Toll, Pavlo Beznosiuk, Richard Campbell, Richard Tunnicliffe, Sarah Cunningham, William Hunt, Orchestra of the Age of Enlightenment | D Major | 0 | 10B | 81 BPM | ||
O vos omnes | Carlo Gesualdo, Daarler Vocal Consort | D♭ Major | 2 | 3B | 120 BPM | ||
Il ritorno d'Ulisse in patria: Sinfonia | Claudio Monteverdi, René Jacobs, Concerto Vocale | A Minor | 1 | 8A | 116 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Concerto Saint Marc: I. Grave | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | B♭ Major | 1 | 6B | 68 BPM | ||
Sacrae symphoniae (arr. T. Higgins for brass ensemble): Canzon per Sonar Septimi Toni No. 2 | Giovanni Gabrieli, Timothy Higgins, National Brass Ensemble, Gail Williams | C Major | 1 | 8B | 105 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM |