"Concerto Saint Marc: I. Grave" by Tomaso Albinoni, John Roderick MacDonald, Martin Stephan was released on November 30, 2003. The duration of Concerto Saint Marc: I. Grave is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Concerto Saint Marc: I. Grave's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 26 in Festliche Musik Fur Trompete Und Orgel (Festive Music for Trumpet and Organ) by John Roderick MacDonald. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Concerto Saint Marc: I. Grave is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto Saint Marc: I. Grave by Tomaso Albinoni, John Roderick MacDonald, Martin Stephan is Adagio (slowly with great expression), since this song has a tempo of 68 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Heroische Musik: II. Grazioso | Georg Philipp Telemann, John Roderick MacDonald, Martin Stephan | D Major | 1 | 10B | 95 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger": I. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 102 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Marie-Claire Alain | B Minor | 0 | 10A | 71 BPM | ||
Adoramus te Christe (arr. L. Stokowski for orchestra) | Giovanni Pierluigi da Palestrina, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | A Minor | 0 | 8A | 72 BPM | ||
Bach, CPE: Flute Concerto in A Minor, Wq. 166: I. Allegro assai | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | A Minor | 2 | 8A | 87 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Capriol Suite: II. Pavane | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 2 | 7A | 90 BPM | ||
Concerto in B-flat Major for Cello, Strings and Basso continuo, RV 423: I. Allegro | Antonio Vivaldi, Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | A Major | 2 | 11B | 114 BPM |