"Bach, JS: Sonata for Two Flutes in G Major, BWV 1039: III. Adagio e piano" by Johann Sebastian Bach, Emmanuel Pahud, Jonathan Manson, Silvia Careddu, Trevor Pinnock was released on October 6, 2008. The duration of Bach, JS: Sonata for Two Flutes in G Major, BWV 1039: III. Adagio e piano is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Bach, JS: Sonata for Two Flutes in G Major, BWV 1039: III. Adagio e piano's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 28 in Bach: Complete Flute Sonatas by Johann Sebastian Bach, Emmanuel Pahud. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Bach, JS: Sonata for Two Flutes in G Major, BWV 1039: III. Adagio e piano is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS: Sonata for Two Flutes in G Major, BWV 1039: III. Adagio e piano by Johann Sebastian Bach, Emmanuel Pahud, Jonathan Manson, Silvia Careddu, Trevor Pinnock is Vivace (lively and fast), since this song has a tempo of 172 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Double Concerto for 2 Violins, Strings & Continuo in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | C Major | 0 | 8B | 120 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Concerto Grosso in G Minor, Op. 1, No. 12: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 3 | 7B | 128 BPM | ||
Organ Concerto No. 1 in G Minor, Op. 4 No. 1, HWV 289: III. Adagio | George Frideric Handel, Simon Preston, The English Concert, Trevor Pinnock | C Major | 1 | 8B | 98 BPM | ||
Concerto No 2 in E minor - Adagio | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Major | 2 | 2B | 89 BPM | ||
Sinfonia in D Major, BWV 1045: II. Adagio e piano sempre | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 1 | 10A | 171 BPM | ||
Bach, JS: Concerto for Three Pianos in C Major, BWV 1064: II. Adagio | Johann Sebastian Bach, Jean-Pierre Wallez, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de Paris | C Major | 2 | 8B | 83 BPM | ||
Prelude and Fugue No. 9 in E Major, BWV 854: Prelude | Johann Sebastian Bach, Glenn Gould | D Major | 3 | 10B | 86 BPM |