On 1957, the song "Prelude and Fugue No. 9 in E Major, BWV 854: Prelude" was released by Johann Sebastian Bach, Glenn Gould. With Prelude and Fugue No. 9 in E Major, BWV 854: Prelude being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 136 in the song's album "The Complete Bach Collection Vol. 2 / Glenn Gould". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United States. Prelude and Fugue No. 9 in E Major, BWV 854: Prelude is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Prelude and Fugue No. 9 in E Major, BWV 854: Prelude by Johann Sebastian Bach, Glenn Gould having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Piano Concerto, Op. 42: I. Andante - 2015 Remastered Version | Arnold Schoenberg, Glenn Gould, Robert Craft, CBC Symphony Orchestra | C Major | 1 | 8B | 147 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Lyric Pieces Book IX, Op. 68: No. 2 Grandmother's Minuet | Edvard Grieg, Emil Gilels | G Major | 0 | 9B | 99 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Johannes-Passion, BWV 245.1: 10. Recitativo: Derselbe Jünger war dem Hohenpriester bekannt | Johann Sebastian Bach, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Daniel Ochoa, Leopold Görsch, Jannes Arndt, Carlos Voß | F Minor | 2 | 4A | 34 BPM | ||
Keyboard Sonata in A Major, Wq. 55/4, H. 186: II. Poco adagio | Carl Philipp Emanuel Bach, Christopher Hinterhuber | F♯ Minor | 0 | 11A | 131 BPM | ||
Lyric Pieces Book IV, Op. 47: No. 3 Melodie | Edvard Grieg, Emil Gilels | D Minor | 0 | 7A | 73 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre, Livre IV, 22e ordre: VII. Les Tours de passe-passe | François Couperin, Alexandre Tharaud | D Major | 2 | 10B | 131 BPM |