"Bizet: Petite suite from "Jeux d'enfants", Op. 22, WD 39: IV. Duo "Petit mari, petite femme"" by Georges Bizet, Seiji Ozawa, Orchestre National De France was released on January 1, 1983. The duration of Bizet: Petite suite from "Jeux d'enfants", Op. 22, WD 39: IV. Duo "Petit mari, petite femme" is about 3 minutes long, at 3:27. Based on our data, "Bizet: Petite suite from "Jeux d'enfants", Op. 22, WD 39: IV. Duo "Petit mari, petite femme"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 10 in Bizet: Symphony in C Major, Petite suite from "Jeux d'enfants" & Patrie by Georges Bizet, Seiji Ozawa, Orchestre National De France. In terms of popularity, Bizet: Petite suite from "Jeux d'enfants", Op. 22, WD 39: IV. Duo "Petit mari, petite femme" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bizet: Petite suite from "Jeux d'enfants", Op. 22, WD 39: IV. Duo "Petit mari, petite femme" by Georges Bizet, Seiji Ozawa, Orchestre National De France is Moderato (at a moderate speed), since this song has a tempo of 117 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
De mon amie, fleur endormie... Léïla ! Léïla ! (Nadir, Léïla) - 1990 Remastered Version | Eugene Cormon, Georges Bizet, Michel Carre, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Minor | 1 | 6A | 71 BPM | ||
Schubert: Piano Sonata No. 14 in A Minor, Op. posth. 143, D. 784 "Grande Sonate": II. Andante | Franz Schubert, Eric Lu | C Major | 2 | 8B | 79 BPM | ||
Lyric Pieces, Book 1, Op. 12: No. 1, Arietta | Edvard Grieg, Marian Lapsansky | D♭ Major | 1 | 3B | 66 BPM | ||
3 Songs, Op. 7: No. 1. Apres un reve (arr. for cello and piano) | Anonymous, Gabriel Fauré, Maria Kliegel, Nina Tichman | F Minor | 0 | 4A | 95 BPM | ||
La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin) | Jules Massenet, The New Symphony Orchestra Of London, Raymond Agoult | G Major | 1 | 9B | 82 BPM | ||
Album for the Young, Op. 68: 6. Armes Waisenkind | Robert Schumann, Vladimir Feltsman | A Minor | 0 | 8A | 65 BPM | ||
Mendelssohn: 3 Fantaisies, Op. 16: III. Andante | Felix Mendelssohn, Doomin Kim | E Major | 0 | 12B | 74 BPM | ||
Piano Concerto No.1 In F Sharp Minor, Op.1: 2. Andante | Sergei Rachmaninoff, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | G Major | 0 | 9B | 107 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi Allegretto | Camille Saint-Saëns, Rudolf Koelman, Sinfonietta Schaffhausen, Paul K. Haug | F Major | 1 | 7B | 101 BPM |