"Ave Maria" by Pietro Mascagni, Montserrat Caballé, Miguel Ortega was released on May 17, 1999. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Roses From 2000". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Ave Maria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ave Maria by Pietro Mascagni, Montserrat Caballé, Miguel Ortega having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss II, J: Frühlingsstimmen, Op. 410 | Johann Strauss II, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester | E♭ Major | 2 | 5B | 106 BPM | ||
Lucia di Lammermoor / Act 3: "Il dolce suono" | Gaetano Donizetti, Montserrat Caballé, Ann Murray, José Carreras, Claes-Håkon Ahnsjö, Vincenzo Sardinero, Samuel Ramey, New Philharmonia Orchestra, Jesús López-Cobos | D Minor | 0 | 7A | 84 BPM | ||
Orff: Carmina Burana, Pt. 1, Primo vere: Omnia sol temperat | Carl Orff, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 83 BPM | ||
Rossini: Guillaume Tell, Act 1 Scene 1: No. 1, Choeur, "Quel jour serein le ciel présage !" (Chorus) | Gioachino Rossini, Montserrat Caballé | G Major | 1 | 9B | 98 BPM | ||
Gianni Schicchi (Oper in 1 Akt) | Mirella Freni | A♭ Major | 2 | 4B | 174 BPM | ||
Tonadillas: Amor y Odio | Enrique Granados, Montserrat Caballé, Rafael Ferrer | G Major | 1 | 9B | 67 BPM | ||
Climb Ev'ry Mountain - from "The Sound of Music" | Richard Rodgers, Kiri Te Kanawa, Mormon Tabernacle Choir, Utah Symphony Orchestra, Julius Rudel | E♭ Major | 3 | 5B | 184 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson | C Major | 1 | 8B | 77 BPM | ||
Panis Angelicus, FWV 61 - Remastered | César Franck, Andrea Bocelli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Coro dell'Accademia Nazionale Di Santa Cecilia, Myung-Whun Chung | A Major | 2 | 11B | 76 BPM | ||
Così fan tutte, K. 588 / Act I: "Soave sia il vento" | Wolfgang Amadeus Mozart, Miah Persson, Angela Brower, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Minor | 1 | 6A | 88 BPM |