"Rossini: Guillaume Tell, Act 1 Scene 1: No. 1, Choeur, "Quel jour serein le ciel présage !" (Chorus)" by Gioachino Rossini, Montserrat Caballé was released on 1973. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 76 in the song's album "Rossini: Guillaume Tell". In this album, this song's track order is #2. In terms of popularity, Rossini: Guillaume Tell, Act 1 Scene 1: No. 1, Choeur, "Quel jour serein le ciel présage !" (Chorus) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rossini: Guillaume Tell, Act 1 Scene 1: No. 1, Choeur, "Quel jour serein le ciel présage !" (Chorus) by Gioachino Rossini, Montserrat Caballé having a テンポ of 98 with a half-time of 49 テンポ and a double-time of 196 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Tannhäuser, Act 1: "Zu dir wall ich, mein Jesus Christ" (Pilger, Hirt, Tannhäuser) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Dorothea Röschmann, Peter Seiffert, Staatskapelle Berlin | G Major | 0 | 9B | 84 BPM | ||
Lucia di Lammermoor / Act 2: "Lucia, fra poco a te verrà" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F♯ Minor | 2 | 11A | 81 BPM | ||
Norma: Act I: Casta Diva | Elizabeth Bainbridge, Carlo Felice Cillario, Plácido Domingo, Montserrat Caballé, Fiorenza Cossotto, Ruggero Raimondi, Kenneth Collins | F Major | 1 | 7B | 138 BPM | ||
L'Italiana in Algeri (The Italian Girl in Algiers): Act II Scene 4: Aria: Ho un gran peso sulla testa (Taddeo, Chorus) | Gioachino Rossini, Lorenzo Regazzo, Ruth Gonzalez, Elsa Giannoulidou, Giulio Mastrototaro, Lawrence Brownlee, Marianna Pizzolato, Bruno De Simone, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Alberto Zedda | B Minor | 0 | 10A | 111 BPM | ||
Ah! Non credea mirarti | Vincenzo Bellini, Montserrat Caballé, Gianfranco Masini | G Major | 0 | 9B | 129 BPM | ||
Gounod: Faust, CG 4, Act 2 Scene 2: No. 6, Invocation, "Avant de quitter ces lieux" | Charles Gounod, Michel Plasson, Thomas Hampson, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
"Qual fiamma avea nel guardo!" | Ruggero Leoncavallo, Montserrat Caballé, Nello Santi | F♯ Minor | 1 | 11A | 86 BPM | ||
Eugene Onegin, Op.24, TH.5 / Act 1: "Kogda bi zhizn domashnim krugom" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Nuccia Focile, Orchestre de Paris, Semyon Bychkov | D Major | 1 | 10B | 80 BPM | ||
Puccini: Tosca, Act 3 Scene 3: "Amaro sol per te m'era il morire" (Cavaradossi, Tosca) | Giacomo Puccini, Giuseppe Di Stefano, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 5 | 1B | 88 BPM | ||
Carmen, Act IV: No.25 Choeur : A la cuartos! (Marchands et Marchandes/Zuniga/Une marchande/Un bohémien) | Georges Bizet, Nicolas Cavallier, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | E Major | 0 | 12B | 79 BPM |