"Lucia di Lammermoor / Act 2: "Lucia, fra poco a te verrà"" by Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge was released on January 1, 1972. The duration of Lucia di Lammermoor / Act 2: "Lucia, fra poco a te verrà" is about 3 minutes long, at 3:06. Based on our data, "Lucia di Lammermoor / Act 2: "Lucia, fra poco a te verrà"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 36 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Lucia di Lammermoor / Act 2: "Lucia, fra poco a te verrà" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lucia di Lammermoor / Act 2: "Lucia, fra poco a te verrà" by Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma / Act 1: Norma viene | Vincenzo Bellini, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 79 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
Strauss, R: 3 Lieder, Op. 88: No. 1, Das Bächlein (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | F Major | 2 | 7B | 92 BPM | ||
Tosca / Act 2: "Quanto? Quanto? Il prezzo!" | Giacomo Puccini, Mirella Freni, Sherrill Milnes, National Philharmonic Orchestra, Nicola Rescigno | D Minor | 3 | 7A | 166 BPM | ||
L'ultima canzone | Francesco Paolo Tosti, José Carreras, English Chamber Orchestra, Edoardo Muller | D Major | 1 | 10B | 91 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugom | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | B♭ Major | 2 | 6B | 96 BPM | ||
Il Trovatore / Act 4: "A te davanti!" Qual voce!" - "Mira, di aberce la- grime" | Giuseppe Verdi, Dame Joan Sutherland, Ingvar Wixell, National Philharmonic Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 38 BPM | ||
Aristea: Recitativo: Amar che giova (Corinna, Cloe, Filinto) | Gaetano Donizetti, Caroline Adler, Andrea Lauren Brown, Sara Hershkowitz, Simon Mayr Ensemble, Franz Hauk | E♭ Major | 2 | 5B | 116 BPM | ||
Aristea: Recitativo: Perche piu dell'usato (Corinna, Licisco, Comone, Filinto, Erasto, Cloe) | Gaetano Donizetti, Caroline Adler, Cornel Frey, Andreas Burkhart, Sara Hershkowitz, Robert Sellier, Andrea Lauren Brown, Simon Mayr Ensemble, Franz Hauk | C Major | 0 | 8B | 125 BPM | ||
Carmen / Act 1: Final: "Le lieutenant! Prenez garde..." | Georges Bizet, Jean Barney, Jean-Noel Sissia, Maria Laborit | D♭ Major | 0 | 3B | 175 BPM |