Slovak Philharmonic, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Jaroslava Horska, Jozef Kundlák, Stefan Klimo, Slovak Philharmonic Chorus, Wolfgang Amadeus Mozart made "Requiem In D Minor, K. 626: Sequence: I. Dies Irae" available on April 15, 1989. With Requiem In D Minor, K. 626: Sequence: I. Dies Irae being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Slovak Philharmonic's "Mozart: Requiem In D Minor" album is number 3 out of 14. On top of that, Hong Kong appears to be the country where this track was created. Requiem In D Minor, K. 626: Sequence: I. Dies Irae is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Requiem In D Minor, K. 626: Sequence: I. Dies Irae by Slovak Philharmonic, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Jaroslava Horska, Jozef Kundlák, Stefan Klimo, Slovak Philharmonic Chorus, Wolfgang Amadeus Mozart to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Flute Sonata in C Major, K. 296: I. Allegro vivace (Transcr. of Violin Sonata) | Wolfgang Amadeus Mozart, Emmanuel Pahud, Eric Le Sage | C Major | 2 | 8B | 92 BPM | ||
Antonio Vivaldi: Concerto For 2 Violins In A Minor, Op. 3 No. 8 - Allegro (Mouvement 1) | Tafelmusik Baroque Orchestra | A♭ Minor | 2 | 1A | 115 BPM | ||
William Tell: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 88 BPM | ||
Pavane, Op. 50 | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus | F Major | 2 | 7B | 98 BPM | ||
Requiem in D Minor, K. 626: VIII. Lacrimosa | Wolfgang Amadeus Mozart, Chamber Choir Of Europe, Nicol Matt, Südwestdeutsches Kammerorchester Pforzheim, Pamela Heuvelmans, Barbara Werner, Robert Morvai, Thomas Pfeiffer | D Minor | 1 | 7A | 80 BPM | ||
Dies irae | Pianozone, Wolfgang Amadeus Mozart, Karl Klindworth | B♭ Major | 6 | 6B | 160 BPM | ||
Puccini: Gianni Schicchi: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Gabriele Santini, Orchestra Del Teatro Dell'Opera Di Roma, Victoria de los Ángeles | A♭ Major | 3 | 4B | 63 BPM | ||
De profundis | Antonio Salieri, West German Radio Chorus, West German Radio Symphony Orchestra, Helmut Froschauer | F Minor | 1 | 4A | 77 BPM | ||
The 4 Seasons: Violin Concerto in F minor, Op. 8, No. 4, RV 297, "L'inverno" (Winter): I. Allegro non molto | Karoly Botvay | F Minor | 1 | 4A | 151 BPM | ||
Swan Lake, Op. 20a, Swan Lake, Op. 20, Act II By a Lake: No. 10, Scene. Moderato | Pyotr Ilyich Tchaikovsky, Slovak Radio Symphony Orchestra, Ondrej Lenard | E Minor | 2 | 9A | 90 BPM |