"Requiem in D Minor, K. 626: VIII. Lacrimosa" by Wolfgang Amadeus Mozart, Chamber Choir Of Europe, Nicol Matt, Südwestdeutsches Kammerorchester Pforzheim, Pamela Heuvelmans, Barbara Werner, Robert Morvai, Thomas Pfeiffer was released on 2006. The duration of Requiem in D Minor, K. 626: VIII. Lacrimosa is about 3 minutes long, at 3:03. Based on our data, "Requiem in D Minor, K. 626: VIII. Lacrimosa" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Chamber Choir Of Europe, Nicol Matt, Südwestdeutsches Kammerorchester Pforzheim's "Mozart: The Great Masses" album is number 35 out of 41. Requiem in D Minor, K. 626: VIII. Lacrimosa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in D Minor, K. 626: VIII. Lacrimosa by Wolfgang Amadeus Mozart, Chamber Choir Of Europe, Nicol Matt, Südwestdeutsches Kammerorchester Pforzheim, Pamela Heuvelmans, Barbara Werner, Robert Morvai, Thomas Pfeiffer to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Mussorgsky: Pictures at an Exhibition: II. The Old Castle | Modest Mussorgsky, Elisabeth Leonskaja | B♭ Major | 0 | 6B | 135 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Die Zauberflöte / Act 2: "Der Hölle Rache kocht in meinem Herze" | Wolfgang Amadeus Mozart, Sumi Jo, Ruth Ziesak, Heinz Zednik, Kurt Moll, Wiener Philharmoniker, Sir Georg Solti | G Minor | 2 | 6A | 107 BPM |