"Die Walküre, WWV 86B / Act 2: Szene 2: "Schlimm, fürcht ich, schloß der Streit"" by Richard Wagner, Gabriele Schnaut, Robert Hale, Cleveland Orchestra, Christoph von Dohnányi was released on July 1, 1997. With this song being about 5 minutes long, at 4:48, "Die Walküre, WWV 86B / Act 2: Szene 2: "Schlimm, fürcht ich, schloß der Streit"" by Richard Wagner, Gabriele Schnaut, Robert Hale, Cleveland Orchestra, Christoph von Dohnányi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Die Walküre by Richard Wagner, Christoph von Dohnányi, Gabriele Schnaut, Robert Hale, Poul Elming, Alessandra Marc, Alfred Muff, Anja Silja, Cleveland Orchestra. The song's track number on the album is #19 out of 43 tracks. Die Walküre, WWV 86B / Act 2: Szene 2: "Schlimm, fürcht ich, schloß der Streit" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Walküre, WWV 86B / Act 2: Szene 2: "Schlimm, fürcht ich, schloß der Streit" by Richard Wagner, Gabriele Schnaut, Robert Hale, Cleveland Orchestra, Christoph von Dohnányi has a tempo of 65 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Die Walküre, WWV 86B / Act 2: Szene 2: "Schlimm, fürcht ich, schloß der Streit" being at 65 テンポ, the half-time would be 32 テンポ with a double-time of 130 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Walkürie (The Valkyrie), Act 3: Ride of the Valkyries | London Philharmonic Orchestra | B Major | 4 | 1B | 95 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act III, Scene 2: Bacchanale | Camille Saint-Saëns, Myung-Whun Chung, Orchestre de l'Opéra National de Paris | B Major | 2 | 1B | 175 BPM | ||
Holberg Suite, Op. 40: V. Rigaudon (Allegro con brio) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 85 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM |