"Pictures at an Exhibition, IMM 50: IV. Bydlo (Cattle). Sempre moderato, pesante" by Modest Mussorgsky, Eugene Ormandy, Philadelphia Orchestra was released on 1957. The duration of Pictures at an Exhibition, IMM 50: IV. Bydlo (Cattle). Sempre moderato, pesante is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Pictures at an Exhibition, IMM 50: IV. Bydlo (Cattle). Sempre moderato, pesante's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 104 in the song's album "The Original Jacket Collection - Eugene Ormandy". In this album, this song's track order is #7. Pictures at an Exhibition, IMM 50: IV. Bydlo (Cattle). Sempre moderato, pesante is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pictures at an Exhibition, IMM 50: IV. Bydlo (Cattle). Sempre moderato, pesante by Modest Mussorgsky, Eugene Ormandy, Philadelphia Orchestra having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mussorgsky: Boris Godunov, Act 2: Map Scene. "A ty, moy syn, chem zanyat?" (Boris, Feodor) | Modest Mussorgsky, Issay Dobrowen, Boris Christoff, Eugenia Zareska, Orchestre National Radiodiffusion Française | E♭ Major | 1 | 5B | 88 BPM | ||
Mussorgsky: Boris Godunov, Act 2: "Slykhal li ty, kogda-nibud'" (Boris, Shuysky) | Modest Mussorgsky, Issay Dobrowen, André Bielecki, Boris Christoff, Orchestre National Radiodiffusion Française | E♭ Major | 1 | 5B | 88 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 143 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | C Minor | 0 | 5A | 87 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.6 in D Major (Allegretto scherzando) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | D Major | 1 | 10B | 110 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM |