"Mussorgsky: Boris Godunov, Act 2: Map Scene. "A ty, moy syn, chem zanyat?" (Boris, Feodor)" by Modest Mussorgsky, Issay Dobrowen, Boris Christoff, Eugenia Zareska, Orchestre National Radiodiffusion Française was released on January 26, 2024. The duration of Mussorgsky: Boris Godunov, Act 2: Map Scene. "A ty, moy syn, chem zanyat?" (Boris, Feodor) is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Mussorgsky: Boris Godunov, Act 2: Map Scene. "A ty, moy syn, chem zanyat?" (Boris, Feodor)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Modest Mussorgsky, Boris Christoff, Nicolai Gedda, Eugenia Zareska, Kim Borg, Orchestre National Radiodiffusion Française, Issay Dobrowen's "Mussorgsky: Boris Godunov" album is number 24 out of 53. On top of that, France appears to be the country where this track was created. Mussorgsky: Boris Godunov, Act 2: Map Scene. "A ty, moy syn, chem zanyat?" (Boris, Feodor) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mussorgsky: Boris Godunov, Act 2: Map Scene. "A ty, moy syn, chem zanyat?" (Boris, Feodor) by Modest Mussorgsky, Issay Dobrowen, Boris Christoff, Eugenia Zareska, Orchestre National Radiodiffusion Française to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Pictures at an Exhibition (Orch. Ravel): V. Ballet of the Unhatched Chicks | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | D♭ Major | 2 | 3B | 91 BPM | ||
L'Assassinat du duc de Guise, Op. 128: L'Assassinat du duc de Guise, Op. 128: Introduction - Premier tableau | Camille Saint-Saëns, Ensemble Musique Oblique | G Major | 0 | 9B | 99 BPM | ||
Coriolan, Op. 62: Overture | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Minor | 2 | 4A | 76 BPM | ||
Capriol Suite: 1. Basse-danse | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | D Minor | 2 | 7A | 133 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM |