"Symphony No. 1 in D Major: III. Feierlich und gemessen, ohne zu schleppen" by Gustav Mahler, Bavarian Radio Symphony Orchestra, Rafael Kubelík was released on January 1, 2000. Symphony No. 1 in D Major: III. Feierlich und gemessen, ohne zu schleppen appears to be safe for all ages as it is not explicit. The track order of this song in Gustav Mahler, Bavarian Radio Symphony Orchestra, Rafael Kubelík's "Mahler: 10 Symphonies" album is number 3 out of 42. On top of that, Germany appears to be the country where this track was created. Symphony No. 1 in D Major: III. Feierlich und gemessen, ohne zu schleppen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 1 in D Major: III. Feierlich und gemessen, ohne zu schleppen by Gustav Mahler, Bavarian Radio Symphony Orchestra, Rafael Kubelík to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata For Arpeggione And Piano In A Minor, D. 821: 3. Allegretto | Franz Schubert, Mstislav Rostropovich, Benjamin Britten | G Major | 0 | 9B | 66 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: III. Finale. Allegro vivacissimo | Pyotr Ilyich Tchaikovsky, Joshua Bell, Cleveland Orchestra, Vladimir Ashkenazy | D Major | 1 | 10B | 83 BPM | ||
Debussy: Syrinx, CD 137, L. 129 | Claude Debussy, Philippa Davies | C Minor | 2 | 5A | 99 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Children's Corner, L. 113 - Orch. Caplet: The Snow is Dancing | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | B♭ Major | 1 | 6B | 75 BPM | ||
Piano Concerto No. 1 in F-Sharp Minor, Op. 1: II. Andante | Sergei Rachmaninoff, Jascha Horenstein, Royal Philharmonic Orchestra, Earl Wild | D Major | 1 | 10B | 104 BPM | ||
Violin Concerto In E Minor, Op.64, MWV O14: 2. Andante | Felix Mendelssohn, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 86 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | C Major | 2 | 8B | 81 BPM | ||
Piano Trio In E Flat Major, Op. 148, D. 897, "Notturno": Adagio | Stuttgart Piano Trio, Franz Schubert | B♭ Major | 0 | 6B | 92 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: Auf dem Gipfel (On the Summit) - | Richard Strauss, Bavarian Radio Symphony Orchestra, Mariss Jansons | G Major | 2 | 9B | 72 BPM |