Claude Debussy, Philippa Davies's 'Debussy: Syrinx, CD 137, L. 129' came out on January 1, 1991. The duration of Debussy: Syrinx, CD 137, L. 129 is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Debussy: Syrinx, CD 137, L. 129's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 22 in Debussy: Les chansons de Bilitis, Sonata for Flute, Viola and Harp, Violin Sonata, Cello Sonata & Syrinx by Claude Debussy, Delphine Seyrig, Nash Ensemble, Marisa Robles. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Debussy: Syrinx, CD 137, L. 129 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Debussy: Syrinx, CD 137, L. 129 by Claude Debussy, Philippa Davies is Andante (at a walking pace), since this song has a tempo of 99 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Clarinet and String Orchestra, Op.31: 1. Allegro vigoroso - L'istesso tempo ma in modo lirico | Gerald Finzi, Andrew Marriner, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Minor | 1 | 3A | 86 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 22: II. Romance | Henryk Wieniawski, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 91 BPM | ||
Andante from the Violin Sonata No. 2 in A minor | Johann Sebastian Bach, Alessio Bax | D Major | 0 | 10B | 70 BPM | ||
Piano Trio No. 1 in D Minor, Op. 49: II. Andante con moto tranquillo | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | B♭ Major | 0 | 6B | 63 BPM | ||
Havanaise, Op.83, R.202 | Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta | E Major | 1 | 12B | 90 BPM | ||
Bizet: L'Arlésienne, Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 0 | 5B | 81 BPM | ||
Symphony No. 3 in G Minor, Op. 36: IV. Finale: Allegro | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | G Minor | 1 | 6A | 126 BPM | ||
L'enfant prodigue: Gloire a toi Seigneur… (Lia, Azael, Simeon) | Claude Debussy, Guylaine Girard, Bernard Richter, Alain Buet, Brussels Philharmonic, Herve Niquet | B Major | 4 | 1B | 69 BPM | ||
Petite Suite: Ballet - Arr. Henri Büsser For Orchestra | Henri Büsser, Gerald Garcia, Claude Debussy | D Major | 1 | 10B | 148 BPM | ||
Oboe Concerto in C Major, K. 271k / K. 314: III. Rondo. Allegretto | Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Lithuanian Chamber Orchestra | C Major | 2 | 8B | 125 BPM |