Gaetano Donizetti, Salvatore Cammarano, Ettore Bastianini, Maria Callas, Franco Corelli, Piero de Palma, Rinaldo Pelizzoni, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano's 'Poliuto (1997 Digital Remaster), ATTO SECONDO, Scena seconda: Lasciami in pace morire (Severo/Paolina/Poliuto/Nearco/Felice/Callistene/Coro)' came out on August 1, 1997. The duration of Poliuto (1997 Digital Remaster), ATTO SECONDO, Scena seconda: Lasciami in pace morire (Severo/Paolina/Poliuto/Nearco/Felice/Callistene/Coro) is about 3 minutes long, at 3:20. Based on our data, "Poliuto (1997 Digital Remaster), ATTO SECONDO, Scena seconda: Lasciami in pace morire (Severo/Paolina/Poliuto/Nearco/Felice/Callistene/Coro)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 38 in Donizetti: Poliuto by Gaetano Donizetti, Salvatore Cammarano, Maria Callas, Antonino Votto, Coro e Orchestra del Teatro alla Scala, Milano, Franco Corelli, Ettore Bastianini, Nicola Zaccaria, Orchestra Del Teatro Alla Scala, Milano. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Poliuto (1997 Digital Remaster), ATTO SECONDO, Scena seconda: Lasciami in pace morire (Severo/Paolina/Poliuto/Nearco/Felice/Callistene/Coro) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Poliuto (1997 Digital Remaster), ATTO SECONDO, Scena seconda: Lasciami in pace morire (Severo/Paolina/Poliuto/Nearco/Felice/Callistene/Coro) by Gaetano Donizetti, Salvatore Cammarano, Ettore Bastianini, Maria Callas, Franco Corelli, Piero de Palma, Rinaldo Pelizzoni, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano is Andante (at a walking pace), since this song has a tempo of 105 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amor ti vieta | Umberto Giordano, Enrico Caruso, Gottfried Rabl | C Major | 2 | 8B | 99 BPM | ||
Alcina, HWV 34 / Act 1: Tornami a vagheggiar - Live | George Frideric Handel, Dame Joan Sutherland, Cappella Coloniensis, Ferdinand Leitner | A Major | 2 | 11B | 131 BPM | ||
Manon Lescaut: Act II: In quelle trine morbide | Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 0 | 10B | 83 BPM | ||
La Wally/Ebben, Ne Andrò Lontana | Montserrat Caballé, Orquesta Sinfónica de Barcelona | E Minor | 1 | 9A | 79 BPM | ||
Adriana Lecouvreur / Act 1: Io son l'umile ancella | Francesco Cilea, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 1 | 4B | 89 BPM | ||
Lucia di Lammermoor (1997 Digital Remaster): T'allontata, sciagurato...Rispettate in me di Dio | Gaetano Donizetti, Giuseppe Zampieri, Rolando Panerai, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, RIAS Sinfonie-Orchester Berlin, Herbert von Karajan | A Major | 2 | 11B | 101 BPM | ||
L'elisir d'amore / Act 1: "Quanto è bella" | Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 80 BPM | ||
Loreley / Act 2: "Amor, celeste ebbrezza" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | G Major | 1 | 9B | 81 BPM | ||
Lucia di Lammermoor / Act 1: "Ancor non giunse!" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 0 | 10B | 80 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM |