George Frideric Handel, Dame Joan Sutherland, Cappella Coloniensis, Ferdinand Leitner's 'Alcina, HWV 34 / Act 1: Tornami a vagheggiar - Live' came out on January 1, 1959. With this song being about 5 minutes long, at 4:41, "Alcina, HWV 34 / Act 1: Tornami a vagheggiar - Live" by George Frideric Handel, Dame Joan Sutherland, Cappella Coloniensis, Ferdinand Leitner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Fritz Wunderlich, Dame Joan Sutherland, Jeannette van Dijck, Norma Procter, Capella Coloniensis, Ferdinand Leitner, WDR Rundfunkchor, Bernhard Zimmermann's "Handel: Alcina" album is number 23 out of 62. Based on our statistics, Alcina, HWV 34 / Act 1: Tornami a vagheggiar - Live's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Alcina, HWV 34 / Act 1: Tornami a vagheggiar - Live by George Frideric Handel, Dame Joan Sutherland, Cappella Coloniensis, Ferdinand Leitner to be Allegro (fast, quick, and bright) because the track has a tempo of 131 テンポ, a half-time of 66テンポ, and a double-time of 262 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin, WWV 75, Act III: In ferner Land, unnahbar euren Schritten (Lohengrin, The King, Men, Women) | Richard Wagner, Klaus Florian Vogt, Annette Dasch, Günther Groissböck, Robert Franke, Holger Marks, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin | A Major | 1 | 11B | 63 BPM | ||
La Bohème / Act 1: "Chi è là?" | Giacomo Puccini, Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 85 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: "Là ci darem la mano" (Don Giovanni, Zerlina) | Wolfgang Amadeus Mozart, Riccardo Muti, Susanne Mentzer, William Shimell, Wiener Philharmoniker | A Major | 1 | 11B | 67 BPM | ||
O cessate di piagarmi | Alessandro Scarlatti, Ramón Vargas | A Minor | 2 | 8A | 84 BPM | ||
La fille du régiment / Act 1: Ah mes amis - Pour mon âme | Gaetano Donizetti, Luciano Pavarotti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | ||
Gloria: 6. Qui sedes ad dexteram Patris | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | G Major | 1 | 9B | 89 BPM | ||
Gloria: Domine Fili unigenite | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | E Major | 2 | 12B | 79 BPM | ||
Hamlet: "The Mad Scene" | Salvatore Cammarano, Gaetano Domenico Maria Donizetti, Dame Joan Sutherland | E Major | 0 | 12B | 81 BPM | ||
Bellini: I puritani, Act 2: "O rendetemi la speme" (Elvira) | Vincenzo Bellini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino | B♭ Major | 5 | 6B | 140 BPM | ||
Alcina, HWV 34 / Act 3: Molestissimo - Live | George Frideric Handel, Fritz Wunderlich, Dame Joan Sutherland, Cappella Coloniensis, Ferdinand Leitner | E Major | 2 | 12B | 96 BPM |