"Water Music Suite No. 1 (Excerpts): 3. (Allegro) - Andante - (Allegro) da capo" by George Frideric Handel, New York Philharmonic, Pierre Boulez was released on 1959. Since Water Music Suite No. 1 (Excerpts): 3. (Allegro) - Andante - (Allegro) da capo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Frideric Handel, English Chamber Orchestra, Raymond Leppard, New York Philharmonic, Igor Kipnis, E. Power Biggs's "Handel: Greatest Hits" album is number 2 out of 22. Based on our statistics, Water Music Suite No. 1 (Excerpts): 3. (Allegro) - Andante - (Allegro) da capo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Water Music Suite No. 1 (Excerpts): 3. (Allegro) - Andante - (Allegro) da capo by George Frideric Handel, New York Philharmonic, Pierre Boulez to be Allegro (fast, quick, and bright) because the track has a tempo of 122 テンポ, a half-time of 61テンポ, and a double-time of 244 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Prince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breve | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 0 BPM | ||
Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 76 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Bacchanale | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | D Minor | 2 | 7A | 145 BPM | ||
Tritsch-Tratsch-Polka, Op. 214 | Johann Strauss II, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 155 BPM | ||
Gaite Parisienne (after J. Offenbach): 6. Allegro | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | E Major | 2 | 12B | 144 BPM | ||
Flute Concerto No. 3 in C: 3. Allegro assai | Frederick the Great, Patrick Gallois, Carl Philipp Emanuel Bach Chamber Orchestra, Peter Schreier | C Major | 1 | 8B | 130 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Flute Concerto No. 3 in C Major: I. Allegro | Frederick the Great, Manfred Friedrich, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | C Major | 1 | 8B | 116 BPM | ||
Fantasía para un gentilhombre for Guitar and Small Orchestra: III. Danza de las hachas (Allegro con brio) | Joaquín Rodrigo, Göran Söllscher, Orpheus Chamber Orchestra | D Minor | 0 | 7A | 121 BPM |