Edward C. Purcell, Philip McCann, Iain Robertson, Black Dyke Mills Band, Peter Parkes's 'Passing by (arr. for cornet and brass band)' came out on January 1, 1985. With Passing by (arr. for cornet and brass band) being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 15 in Black Dyke Mills Band: World's Most Beautiful Melodies - Music for Cornet by Phillip McCann, Peter Parkes. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Passing by (arr. for cornet and brass band) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Passing by (arr. for cornet and brass band) by Edward C. Purcell, Philip McCann, Iain Robertson, Black Dyke Mills Band, Peter Parkes is Adagio (slowly with great expression), since this song has a tempo of 73 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Min hatt den har tre kanter - brass version | Min hatt den har tre kanter, Svenska barnsånger, Imse vimse spindel | D Major | 1 | 10B | 180 BPM | ||
Elijah, Op. 70: "Thanks Be to God!" (Chorus) | Felix Mendelssohn, Gabrieli, William Whitehead, Paul McCreesh | E♭ Major | 1 | 5B | 116 BPM | ||
For Children (Gyermekeknek): Elvesztettem Páromat (Andante) | The Royal Wind Music | F Major | 2 | 7B | 136 BPM | ||
Four Renaissance Dances: La Mourisque | Tylman Susato, Canadian Brass | C Major | 2 | 8B | 96 BPM | ||
Der letzte Traum | Friedrich Wilhelm Kücken, ffortissibros, Benedikt Kantert | A♭ Major | 1 | 4B | 65 BPM | ||
MASS: No. 14, Gloria in excelsis Deo | Leonard Bernstein, Vojtech Dyk, Wiener Singakademie, ORF Vienna Radio Symphony Orchestra, Dennis Russell Davies | D♭ Major | 2 | 3B | 102 BPM | ||
Lux Aeterna: III. Largo | Rihards Dubra, Saxtett | G Minor | 0 | 6A | 60 BPM | ||
Annelies (chamber version): XII. The hope of liberation and a spring awakening | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | B♭ Major | 1 | 6B | 76 BPM | ||
Evening Songs, Op. 3: No. 2, Mně zdálo se | Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | G Major | 1 | 9B | 86 BPM | ||
Lux aeterna: V. Agnus Dei – Lux aeterna | Morten Lauridsen, Britten Sinfonia, Polyphony, Stephen Layton | D Major | 1 | 10B | 72 BPM |