"Annelies (chamber version): XII. The hope of liberation and a spring awakening" by James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan was released on January 22, 2013. With this song being about 5 minutes long, at 5:08, "Annelies (chamber version): XII. The hope of liberation and a spring awakening" by James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Whitbourn: Annelies by James Whitbourn, Arianna Zukerman, James Jordan. The song's track number on the album is #12 out of 14 tracks. Annelies (chamber version): XII. The hope of liberation and a spring awakening is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Annelies (chamber version): XII. The hope of liberation and a spring awakening by James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Annelies (chamber version): XII. The hope of liberation and a spring awakening being at 76 テンポ, the half-time would be 38 テンポ with a double-time of 152 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Passion Week, Op. 58: II. I See Thy Bridal Chamber | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Minor | 1 | 1A | 70 BPM | ||
The Seven Heavens (Chamber Version): No. 7, The Sun | James Whitbourn, Cor Cantiamo, Unknown Artist, Eric Johnson | G Minor | 3 | 6A | 87 BPM | ||
Nunc Dimittis | Josquin des Prez, Oxford Camerata | A Minor | 0 | 8A | 68 BPM | ||
Mountain Night I | Zoltán Kodály, Mikrokosmos, Loïc Pierre | A Minor | 0 | 8A | 111 BPM | ||
Nocturnes: I. Sa Nuit d’Été (Morten Lauridsen, piano) | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 72 BPM | ||
Sequentia: Pie Jesu | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | E♭ Major | 1 | 5B | 76 BPM | ||
Even When He Is Silent | Kim André Arnesen, Chamber Choir of London, Dominic Ellis-Peckham | B Major | 1 | 1B | 78 BPM | ||
Romanzen und Balladen, Book 1, Op. 67: Der Konig von Thule | Robert Schumann, SWR Vokalensemble Stuttgart, Rupert Huber | G Major | 2 | 9B | 169 BPM | ||
Eja Mater | Kim André Arnesen, Lavinia Meijer, Gereon Theis, World Choir for Peace | D Major | 2 | 10B | 83 BPM | ||
Nine sili nebesniye | Alexander Sheremetiev, Chorovaya Akademia | D♭ Minor | 0 | 12A | 125 BPM |