"Sogno (Arr. Bleton for Mezzosoprano and Guitar)" by Paolo Tosti, Elina Garanca, Raphaël Feuillâtre was released on March 15, 2024. The duration of Sogno (Arr. Bleton for Mezzosoprano and Guitar) is about 3 minutes long, at 3:03. Based on our data, "Sogno (Arr. Bleton for Mezzosoprano and Guitar)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of When Night Falls ... by Elina Garanca, Richard Strauss, Raimonds Pauls, Johannes Brahms, Franz Schubert. The song's track number on the album is #7 out of 18 tracks. Based on our data, Germany was the country where this track was produced or recorded. Sogno (Arr. Bleton for Mezzosoprano and Guitar) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sogno (Arr. Bleton for Mezzosoprano and Guitar) by Paolo Tosti, Elina Garanca, Raphaël Feuillâtre has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sogno (Arr. Bleton for Mezzosoprano and Guitar) being at 81 テンポ, the half-time would be 40 テンポ with a double-time of 162 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30: Che fiero momento | Christoph Willibald Gluck, Hera Hyesang Park, Wiener Symphoniker, Bertrand de Billy, Johannes Maria Bogner | C Minor | 1 | 5A | 122 BPM | ||
La forza del destino, Act IV, Scene II: Non imprecare; umiliati | Giuseppe Verdi, Riccardo Zanellato, Dinara Alieva, Andrea Bocelli, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | A♭ Major | 2 | 4B | 87 BPM | ||
Akt II: Wehe, was tat ich | Richard Wagner, Jonas Kaufmann, Elina Garanca, Philippe Jordan | A♭ Major | 1 | 4B | 76 BPM | ||
Macbeth: La luce langue | Giuseppe Verdi, Dolora Zajick, Charles Rosekrans, Royal Philharmonic Orchestra | E♭ Major | 4 | 5B | 96 BPM | ||
A Child of our Time, Part I: How can I cherish my man in such days...? (Soprano) | Michael Tippett, Pumeza Matshikiza, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Strauss, R: 5 Lieder, Op. 48: No. 2, In Schwebe | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
La clemenza di Tito, K. 621 / Act I: "Parto, ma tu ben mio" | Wolfgang Amadeus Mozart, Elina Garanca, Staatskapelle Dresden, Sebastian Weigle | C Major | 2 | 8B | 85 BPM | ||
A te, SC 8 (Arr. for Voice & Orchestra by Johannes X. Schachtner) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | C Major | 4 | 8B | 103 BPM | ||
L'Olimpiade, Act I Scene 3: Aria. "O care selve" | Domenico Cimarosa, Marie Lys, Christophe Rousset, Les Talens Lyriques | C Major | 3 | 8B | 139 BPM | ||
Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM |