"Canzoni et sonate (1615): Sonata XX a 22" by Giovanni Gabrieli, Andreas Sieling, Berlin Brass, Lucas Vis was released on November 19, 2013. Canzoni et sonate (1615): Sonata XX a 22 is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. The track order of this song in Giovanni Gabrieli, Berlin Brass, Lucas Vis's "Gabrieli: Music for Brass & Organ" album is number 18 out of 18. On top of that, Netherlands appears to be the country where this track was created. Canzoni et sonate (1615): Sonata XX a 22 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Canzoni et sonate (1615): Sonata XX a 22 by Giovanni Gabrieli, Andreas Sieling, Berlin Brass, Lucas Vis to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
XXII. Er ist das Heil und selig Licht | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM | ||
The Lady of Sussex Delight | Tobias Hume, Guido Balestracci, Les Basses Réunies, Bruno Cocset | E Major | 1 | 12B | 92 BPM | ||
Fantasia chromatica | Jan Pieter Sweelinck, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 69 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: V. Agnus Dei | Louis Vierne, Michel Bouvard | A♭ Major | 1 | 4B | 81 BPM | ||
Biber: Requiem a 15 in A Major: III. Sequenz | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 0 | 6B | 139 BPM | ||
Te deum, LWV 55: VIII. Te ergo quaesumus | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Prelude on "They Walk Alone" | Benjamin Britten, John Robinson | C Major | 0 | 8B | 67 BPM | ||
Choralvorspiel und Fuge über "O Traurigkeit, o Herzeleid" WoO 7: Choralvorspiel | Clara Schumann, Anders Eidsten Dahl | E Major | 0 | 12B | 136 BPM | ||
Komm, Jesu, komm | Johann Schelle, Bavarian Radio Chorus, Florian Helgath, Capella De La Torre, Katharina Bauml | G Major | 1 | 9B | 93 BPM | ||
Prophetiae Sibyllarum: Prologue | Orlande de Lassus, Vocalconsort Berlin, Daniel Reuss | G Major | 1 | 9B | 83 BPM |