"Triptico - Madrugada" by Antonio Lauro, Davide Ficco was released on June 10, 2011. With Triptico - Madrugada being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 22 out of 25 in Apasionata - Barrios, Lauro by Davide Ficco. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Based on our statistics, Triptico - Madrugada's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Triptico - Madrugada by Antonio Lauro, Davide Ficco is Allegro (fast, quick, and bright), since this song has a tempo of 137 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite Ernestina: II. De algun modo | Lucas Saboya, José Antonio Escobar | D Minor | 1 | 7A | 132 BPM | ||
Bardenklange, Op. 13: Book 3: No. 3. Capriccio | Johann Kaspar Mertz, Gabriel Bianco | D Minor | 1 | 7A | 152 BPM | ||
Prelude (for Olga) | Jorge Morel, Gerald Garcia | A Minor | 0 | 8A | 76 BPM | ||
3 Piezas Rioplatenses: Don Julian | Maximo Diego Pujol, Victor Villadangos | C Major | 1 | 8B | 150 BPM | ||
Carmen Suite: III. Seguidilla (Arr. W. Kanengiser) | Los Angeles Guitar Quartet | G Major | 1 | 9B | 101 BPM | ||
Brimborion, Op. 11: Romance sans paroles | Jaime Bosch, Alexandra Whittingham | A Minor | 0 | 8A | 128 BPM | ||
Papelon | Antonio Lauro, Adam Holzman | D Major | 1 | 10B | 78 BPM | ||
24 Caprices, Op. 1 (arr. for guitar): No. 5 in A Minor | Niccolò Paganini, Marco Tamayo | E Minor | 2 | 9A | 69 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Fugue No. 4 in E Major | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Major | 1 | 12B | 108 BPM | ||
Preludes, Book 1: No. 8. La fille aux cheveux de lin (arr. for guitar) | Claude Debussy, Paul Galbraith | G Major | 0 | 9B | 92 BPM |