"Preludes, Book 1: No. 8. La fille aux cheveux de lin (arr. for guitar)" by Claude Debussy, Paul Galbraith was released on January 1, 2006. The duration of Preludes, Book 1: No. 8. La fille aux cheveux de lin (arr. for guitar) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Preludes, Book 1: No. 8. La fille aux cheveux de lin (arr. for guitar)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 19 in Debussy, C.: Children's Corner / Piece Pour Le Vetement Du Blesse / Ravel, M.: Ma Mere L'Oye (Arr. for Guitar) (French Impressions) (Gilbraith) by Paul Galbraith. In terms of popularity, Preludes, Book 1: No. 8. La fille aux cheveux de lin (arr. for guitar) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Preludes, Book 1: No. 8. La fille aux cheveux de lin (arr. for guitar) by Claude Debussy, Paul Galbraith is Andante (at a walking pace), since this song has a tempo of 92 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major | Benjamin Frith, John Field | G Major | 0 | 9B | 125 BPM | ||
Lieder ohne Worte (Songs without Words), Book 7, Op. 85: Song without Words, Op. 85, No. 2 | Felix Mendelssohn, Gerald Garcia | E Minor | 2 | 9A | 64 BPM | ||
Keyboard Sonata in B Minor (arr. J. Beam): Sonata in B Major: Larghetto | Julian Bream, Domenico Cimarosa, Steve Kostelnik | B Minor | 0 | 10A | 88 BPM | ||
Preludes, Book 1: No. 12: Minstrels | Claude Debussy, François-Joël Thiollier | G Major | 1 | 9B | 104 BPM | ||
Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante | Clara Schumann, Sara Costa | E♭ Minor | 1 | 2A | 134 BPM | ||
Molino: Duo No. 3, Op. 16: I. Andantino | Emmanuel Pahud, Christian Rivet | G Major | 0 | 9B | 167 BPM | ||
Préludes / Book 1, L. 117: VIII. La fille aux cheveux de lin | Claude Debussy, Julien Quentin | F♯ Major | 0 | 2B | 63 BPM | ||
Andante festivo for Strings and Timpani, JS 34b | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | G Major | 2 | 9B | 65 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM |