Mario Castelnuovo-Tedesco, Brasil Guitar Duo made "Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Fugue No. 4 in E Major" available on November 18, 2008. With Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Fugue No. 4 in E Major being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 27 in Castelnuovo-Tedesco, M.: Music for Two Guitars, Vol. 1 - Sonatina Canonica / Les Guitares Bien Temperees: Nos. 1-12 by Mario Castelnuovo-Tedesco, Brasil Guitar Duo. In terms of popularity, Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Fugue No. 4 in E Major is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Fugue No. 4 in E Major by Mario Castelnuovo-Tedesco, Brasil Guitar Duo is Andante (at a walking pace), since this song has a tempo of 108 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata No. 1 in G Minor, BWV 1001 (Arr. for Guitar by Manuel Barrueco): I. Adagio | Johann Sebastian Bach, Georgi Dimitrov-Jojo | D♭ Minor | 1 | 12A | 68 BPM | ||
Carcassi Op.60 N.16 Andante | Matteo Carcassi, Lucio Matarazzo | F Major | 0 | 7B | 100 BPM | ||
Notenbüchlein für Anna Magdalena Bach (Arr. for guitar A. Lagoya): 5. Menuet in G minor, Anh.115 | Christian Petzold, Alexandre Lagoya | G Minor | 2 | 6A | 117 BPM | ||
3 Forest Paintings: No. 2. Snowdrops | Konstantin Vassiliev, Irina Kulikova | B Minor | 0 | 10A | 104 BPM | ||
Lute Suite in G Minor, BWV 995 (arr. for guitar): V. Gavotte I | Anonymous , Johann Sebastian Bach, Jason Vieaux | A Minor | 2 | 8A | 130 BPM | ||
Pièces de clavecin avec une méthode, Suite in E Minor, RCT 2 (Arr. M. Grizard for Guitar): V. Le rappel des oiseaux | Jean-Philippe Rameau, Raphaël Feuillâtre | F♯ Minor | 1 | 11A | 83 BPM | ||
Dom Quixote | Egberto Gismonti, Brasil Guitar Duo | E Minor | 0 | 9A | 150 BPM | ||
Zambra Granadina | Isaac Albéniz, David Russell | D Major | 1 | 10B | 68 BPM | ||
Theme of Katja (From "Spy Sorge") | Shin’ichirō Ikebe, Shin-ichi Fukuda | D Major | 0 | 10B | 92 BPM | ||
Cataluña | Isaac Albéniz, Margarita Escarpa | G Minor | 1 | 6A | 80 BPM |