"Strauss, R: 5 Gedichte, Op. 46: No. 4, Morgengrot" by Friedrich Rückert, Richard Strauss, Dietrich Fischer-Dieskau, Gerald Moore was released on August 2, 2013. The duration of Strauss, R: 5 Gedichte, Op. 46: No. 4, Morgengrot is about 3 minutes long, at 3:13. Based on our data, "Strauss, R: 5 Gedichte, Op. 46: No. 4, Morgengrot" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 134 in the song's album "Strauss: Lieder". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. The popularity of Strauss, R: 5 Gedichte, Op. 46: No. 4, Morgengrot is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, R: 5 Gedichte, Op. 46: No. 4, Morgengrot by Friedrich Rückert, Richard Strauss, Dietrich Fischer-Dieskau, Gerald Moore having a テンポ of 166 with a half-time of 83 テンポ and a double-time of 332 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sechs Lieder, Op. 48: Gruß, Op. 48/1 | Edvard Grieg, Anne Sofie von Otter, Bengt Forsberg | C Minor | 3 | 5A | 133 BPM | ||
5 Canons on Latin Texts, Op. 16: Dormi Jesu | Anton Webern, Jennifer Welch-Babidge, Charles Neidich, Michael Lowenstern | D♭ Major | 0 | 3B | 110 BPM | ||
Madre Mía Cuando Muera | Gunnel Sköld, Jan Bülow | F♯ Major | 2 | 2B | 80 BPM | ||
Monteverdi: Ohimé ch’io cado, SV 316 (Live) | Claudio Monteverdi, Victoria de los Ángeles, Gerald Moore | C Major | 2 | 8B | 114 BPM | ||
Elias, Op. 70: Teil I: Dank sei dir, Gott | Felix Mendelssohn, Thomas Hengelbrock | E♭ Major | 3 | 5B | 123 BPM | ||
Rückert-Lieder: IV. Ich bin der Welt abhanden gekommen | Gustav Mahler, Friedrich Rückert, Nils Anders Mortensen, Marianne Beate Kielland | A Minor | 1 | 8A | 87 BPM | ||
An die ferne Geliebte, Op. 98: No. 2, Wo die Berge so blau | Ludwig van Beethoven, Mark Padmore, Mitsuko Uchida | G Major | 0 | 9B | 141 BPM | ||
Les 7 paroles du Christ: 6e Parole - "Pater, in manus tuas" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 0 | 7A | 66 BPM | ||
Mozart: An die Einsamkeit, K. 391 | Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Mozart: Das Kinderspiel, K. 598 | Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM |