"Mozart: An die Einsamkeit, K. 391" by Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy was released on March 29, 2024. The duration of Mozart: An die Einsamkeit, K. 391 is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Mozart: An die Einsamkeit, K. 391's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sabine Devieilhe, Mathieu Pordoy's "Mozart & Strauss: Lieder" album is number 9 out of 24. On top of that, United Kingdom appears to be the country where this track was created. Mozart: An die Einsamkeit, K. 391 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: An die Einsamkeit, K. 391 by Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verschwiegene Liebe | Hugo Wolf, Jonas Kaufmann, Helmut Deutsch | A Major | 0 | 11B | 74 BPM | ||
Bei dir ist es traut | Alma Mahler, Kaleidoscope Chamber Collective, Francesca Chiejina | A♭ Major | 3 | 4B | 69 BPM | ||
An die ferne Geliebte, Op. 98: No. 4, Diese Wolken in den Höhen | Ludwig van Beethoven, Mark Padmore, Mitsuko Uchida | A♭ Major | 1 | 4B | 104 BPM | ||
Chants d'Auvergne, Vol. 1: No. 3b. Ound'onoren Gorda? (Where Shall We Go?)) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | A Major | 1 | 11B | 98 BPM | ||
Drei Lieder aus "Wilhelm Tell" S.292: 1. Der Fischerknabe | Franz Liszt, Dietrich Fischer-Dieskau, Daniel Barenboim | A♭ Major | 0 | 4B | 60 BPM | ||
Lieder (Duette), Op. 63: III. Gruß | Felix Mendelssohn, Angelika Kirchschlager, Barbara Bonney | C Major | 1 | 8B | 137 BPM | ||
Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": "Forêts paisibles" (Zima, Adario, Sauvages) | Jean-Philippe Rameau, Sabine Devieilhe, Aimery Lefèvre, Le Jeune Choeur de Paris, Alexis Kossenko, Les Ambassadeurs | F♯ Minor | 3 | 11A | 85 BPM | ||
Liebeslieder-Walzer, Op. 52: No. 10, O wie sanft die Quelle sich | Johannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip Mayers | C Major | 0 | 8B | 177 BPM | ||
La bonne chanson, Op. 61: No. 3, La lune blanche luit dans les bois | Gabriel Fauré, Stéphane Degout, Alain Planès | D Major | 2 | 10B | 127 BPM | ||
Evening Songs, Op. 3: No. 4, Když Bůh byl nejvíc rozkochán | Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | E Major | 1 | 12B | 86 BPM |