"Rückert-Lieder: IV. Ich bin der Welt abhanden gekommen" by Gustav Mahler, Friedrich Rückert, Nils Anders Mortensen, Marianne Beate Kielland was released on August 27, 2018. Rückert-Lieder: IV. Ich bin der Welt abhanden gekommen is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The song is number 4 out of 14 in Einsamkeit: Songs by Mahler by Gustav Mahler, Marianne Beate Kielland, Nils Anders Mortensen. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. Rückert-Lieder: IV. Ich bin der Welt abhanden gekommen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rückert-Lieder: IV. Ich bin der Welt abhanden gekommen by Gustav Mahler, Friedrich Rückert, Nils Anders Mortensen, Marianne Beate Kielland is Andante (at a walking pace), since this song has a tempo of 87 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: VI. Of Science and Learning | Richard Strauss, London Philharmonic Orchestra, David Bell, Klaus Tennstedt | B Major | 0 | 1B | 0 BPM | ||
Das Lied von der Erde (Song of the Earth): II. Der Einsame im Herbst (The Lonely One in Autumn) | Gustav Mahler, Jane Henschel, Gregory Kunde, Houston Symphony, Hans Graf | F Major | 2 | 7B | 84 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Japanese Suite, Op. 33: VI. Finale: Dance of the Wolves | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 4 | 5A | 101 BPM | ||
Overture Prince Igor | Alexander Borodin, London Symphony Orchestra, Sir Georg Solti | B♭ Major | 2 | 6B | 76 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Das Lied von der Erde: III. Von der Jugend | Gustav Mahler, Esa-Pekka Salonen, Los Angeles Philharmonic | G Minor | 1 | 6A | 89 BPM |