"Strauss, R: Also sprach Zarathustra, Op. 30: VI. Of Science and Learning" by Richard Strauss, London Philharmonic Orchestra, David Bell, Klaus Tennstedt was released on August 6, 1999. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Strauss - Also Sprach Zarathustra". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Strauss, R: Also sprach Zarathustra, Op. 30: VI. Of Science and Learning is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, R: Also sprach Zarathustra, Op. 30: VI. Of Science and Learning by Richard Strauss, London Philharmonic Orchestra, David Bell, Klaus Tennstedt having a テンポ of 0 with a half-time of 0 テンポ and a double-time of 0 テンポ, we would consider this track to have a Larghissimo tempo marking. Because of this, we believe that the song has an overall slow tempo.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
String Quartet No.14 In C Sharp Minor, Op.131: 6. Adagio quasi un poco andante | Ludwig van Beethoven, Emerson String Quartet | A♭ Minor | 0 | 1A | 91 BPM | ||
DANCE: I. when you're broken open | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | F Major | 1 | 7B | 69 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Pieter Schoeman, Vesselin Gellev, David Parry, London Philharmonic Orchestra | D Minor | 3 | 7A | 100 BPM | ||
Concerto Grosso No. 3: 1. Allegro | Alfred Schnittke, Victor Lieberman, Jaap Van Zweden, Ronald Brautigam, Royal Concertgebouw Orchestra, Riccardo Chailly | C Minor | 3 | 5A | 90 BPM | ||
Pines Of Rome, P. 141: 3. The Pines Of The Janiculum | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 84 BPM | ||
Brahms: Serenade No. 2 in A Major, Op. 16: I. Allegro moderato | Johannes Brahms, Sir Adrian Boult, London Philharmonic Orchestra | A Major | 1 | 11B | 84 BPM | ||
Elektra: Xix. Elektra! Elektra! | Hugo von Hofmannsthal, Richard Strauss, Gunnar Lundberg, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | D♭ Major | 5 | 3B | 118 BPM | ||
Holst: The Planets, Op. 32: III. Mercury, the Winged Messenger | Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra | F Major | 2 | 7B | 123 BPM |