Cello Suite No. 1 in G Major, BWV 1007 (Arr. J. Ranz for Bass Clarinet): I. Prelude - Johann Sebastian Bach, Joshua Ranz 情報

音響性: 97%
ダンサビリティ: 28%
エネルギー: 16%
手段性: 92%
活気: 11%
ラウドネス: 66%
話し言葉: 5%
価数: 57%
人気: 21%
ラウドネス: -20.557 dB

まとめ

Johann Sebastian Bach, Joshua Ranz made "Cello Suite No. 1 in G Major, BWV 1007 (Arr. J. Ranz for Bass Clarinet): I. Prelude" available on April 23, 2021. The duration of Cello Suite No. 1 in G Major, BWV 1007 (Arr. J. Ranz for Bass Clarinet): I. Prelude is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Cello Suite No. 1 in G Major, BWV 1007 (Arr. J. Ranz for Bass Clarinet): I. Prelude's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Joshua Ranz's "J.S. Bach: 3 Cello Suites (Arr. J. Ranz for Bass Clarinet)" album is number 1 out of 18. The popularity of Cello Suite No. 1 in G Major, BWV 1007 (Arr. J. Ranz for Bass Clarinet): I. Prelude is currently below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Cello Suite No. 1 in G Major, BWV 1007 (Arr. J. Ranz for Bass Clarinet): I. Prelude テンポ

We consider the tempo marking of Cello Suite No. 1 in G Major, BWV 1007 (Arr. J. Ranz for Bass Clarinet): I. Prelude by Johann Sebastian Bach, Joshua Ranz to be Vivace (lively and fast) because the track has a tempo of 165 テンポ, a half-time of 82テンポ, and a double-time of 330 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.

Cello Suite No. 1 in G Major, BWV 1007 (Arr. J. Ranz for Bass Clarinet): I. Prelude キー

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

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Track	Artist	Key	Energy	Camelot	BPM
Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Piano): II. Allegro	Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt	D Major	3	10B	94 BPM
Musical Offering, BWV 1079, Sonata sopr'il Soggetto Reale à Traversa, Violino e Continuo: II. Allegro	Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Maude Gratton, Marc Hantaï, François Fernandez	F♯ Minor	3	11A	62 BPM
L'art de toucher le clavecin: No. 1, Prelude in C Major	François Couperin, Andrew Appel	A♭ Minor	3	1A	119 BPM
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 5, Menuet in G Minor [Attrib. J.S. Bach's BWV Anh. 115]	Christian Petzold, Giovanni Mazzocchin	C Minor	1	5A	180 BPM
Invention in F Major, Bwv 779	Bach to Bonkers	F Major	1	7B	113 BPM
Sonate e Partite: No. 33, Allegretto	Francesco Lecce, Claudio Ferrarini	C Major	2	8B	67 BPM
Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5 (Arr. for Accordion by Janne Valkeajoki): II. Courante	Jean-Philippe Rameau, Janne Valkeajoki	A Minor	2	8A	70 BPM
Zwölf Orgelstücke, Op. 4: VIII. Adagio	Johann Gottlob Schneider, Halgeir Schiager	B Minor	2	10A	128 BPM
Messe in B Minor, BWV 232: No; 2, Christe eleison	Johann Sebastian Bach, Marc Minkowski, Les Musiciens du Louvre, Blandine Staskiewicz, Lucy Crowe	C Minor	1	5A	130 BPM
Suite in A Minor, RCT 5: No. 2, Courante - Adapted by Marina Baranova	Jean-Philippe Rameau, Marina Baranova	E Minor	1	9A	66 BPM

ISRC: This song does not have an ISRC.
レコードレーベル: L-M Records/RCA Records