Jean-Philippe Rameau, Marina Baranova's 'Suite in A Minor, RCT 5: No. 2, Courante - Adapted by Marina Baranova' came out on August 26, 2016. The duration of Suite in A Minor, RCT 5: No. 2, Courante - Adapted by Marina Baranova is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Suite in A Minor, RCT 5: No. 2, Courante - Adapted by Marina Baranova's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marina Baranova's "Hypersuites" album is number 12 out of 20. On top of that, Germany appears to be the country where this track was created. Suite in A Minor, RCT 5: No. 2, Courante - Adapted by Marina Baranova is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite in A Minor, RCT 5: No. 2, Courante - Adapted by Marina Baranova by Jean-Philippe Rameau, Marina Baranova to be Larghetto (rather broadly) because the track has a tempo of 66 テンポ, a half-time of 33テンポ, and a double-time of 132 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia melodica in C Major, TWV 50:2: Sinfonia melodica in C Major, TWV 50:2: II. Sarabande | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B♭ Major | 5 | 6B | 79 BPM | ||
Suite No. 4 in E Minor, HWV 429: IV. Sarabande | George Frideric Handel, Dina Ugorskaja | E Minor | 0 | 9A | 135 BPM | ||
Neue Clavier-Übung I, Partie V in G Major: Gigue | Johann Kuhnau, Martin Stadtfeld | G Major | 2 | 9B | 129 BPM | ||
Italian Concerto in F Major BMV971 | Artur Schnabel | F Major | 2 | 7B | 123 BPM | ||
6 Kleine Präludien: No. 3 in D Minor, BWV 935 | Inge Rosar | D Minor | 1 | 7A | 96 BPM | ||
Concerto for Strings in G Minor, RV 157: I. Allegro | Antonio Vivaldi, Miho Fukui, Ensemble F | F♯ Minor | 6 | 11A | 157 BPM | ||
Rameau: Premier livre de pièces de clavecin, RCT 1: I. Prélude | Jean-Philippe Rameau, Alexandre Tharaud | E Minor | 2 | 9A | 68 BPM | ||
Cello Sonata in B-Flat Major, RV 45: III. Largo | Antonio Vivaldi, Robert King, David Watkin | D♭ Minor | 0 | 12A | 76 BPM | ||
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano - Adapted by Marina Baranova & Wilhelm Kempff | Johann Sebastian Bach, Marina Baranova | G Minor | 0 | 6A | 73 BPM | ||
Ecartele: Erna's Theme | Damian Marhulets, Szymanowski Quartet, Marina Baranova | C Minor | 0 | 5A | 84 BPM |