"Missa "Assumpta Est Maria", H. 11: II. Kyrie I" by Marc-Antoine Charpentier, Véronique Gens, William Christie, Bernard Deletré, Les Arts Florissants, Noemi Rime was released on April 27, 1989. With Missa "Assumpta Est Maria", H. 11: II. Kyrie I being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 30 in Charpentier: Te Deum, H.146, Litanies de la Vierge & Missa "Assumpta est Maria" by Marc-Antoine Charpentier, Les Arts Florissants, William Christie. In terms of popularity, Missa "Assumpta Est Maria", H. 11: II. Kyrie I is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa "Assumpta Est Maria", H. 11: II. Kyrie I by Marc-Antoine Charpentier, Véronique Gens, William Christie, Bernard Deletré, Les Arts Florissants, Noemi Rime is Andante (at a walking pace), since this song has a tempo of 104 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salve Regina: No. 5., Et Jesu benedictum | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Stabat Mater: III. Quis est home | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Amadis, LWV 63: Air "Toi qui dans ce tombeau" | Jean-Baptiste Lully, Véronique Gens, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | E♭ Major | 2 | 5B | 174 BPM | ||
Credo in F Major: V. Et vitam | Antonio Lotti, Thomas Hengelbrock | E Major | 2 | 12B | 183 BPM | ||
Thétis et Pélée: Tempête | Pascal Collasse, Véronique Gens, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 6 | 6B | 84 BPM | ||
L'Embarras des richesses: Aria. "Dès notre enfance unis tous deux…" | André-Ernest-Modeste Grétry, Véronique Gens, Le Concert de la Loge, Julien Chauvin | A Major | 1 | 11B | 81 BPM | ||
Les Indes galantes, Deuxième Entrée, Scène 5: Fête du Soleil - "Soleil, on a détruit" (Huascar) | Jean-Philippe Rameau, Bernard Deletré, Les Arts Florissants, William Christie | A♭ Minor | 1 | 1A | 71 BPM | ||
Dido and Aeneas / Act 2: "Oft she visits" - Ritornelle | Henry Purcell, Julianne Baird, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 0 | 12A | 84 BPM | ||
Nisi Dominus, Psalm 126 (127) HWV 238: 5. Beatus vir | George Frideric Handel, John Mark Ainsley, Orchestra of Westminster Abbey, Simon Preston | D♭ Major | 1 | 3B | 96 BPM | ||
Vivaldi: Magnificat in G Minor, RV 611: X. Sicut locutus (Ed. Malipiero) | Antonio Vivaldi, Riccardo Muti, Lucia Valentini Terrani, New Philharmonia Orchestra | C Major | 1 | 8B | 101 BPM |