Henry Purcell, Julianne Baird, Academy of Ancient Music, Christopher Hogwood's 'Dido and Aeneas / Act 2: "Oft she visits" - Ritornelle' came out on January 1, 1994. With Dido and Aeneas / Act 2: "Oft she visits" - Ritornelle being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 34 in the song's album "Purcell: Dido & Aeneas". In this album, this song's track order is #21. Dido and Aeneas / Act 2: "Oft she visits" - Ritornelle is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dido and Aeneas / Act 2: "Oft she visits" - Ritornelle by Henry Purcell, Julianne Baird, Academy of Ancient Music, Christopher Hogwood having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Orfeo, Atto terzo: IV. Possente Spirto | Claudio Monteverdi, Jordi Savall, Furio Zanasi, Le Concert Des Nations | D Minor | 1 | 7A | 70 BPM | ||
Prima die Lectio prima: V. Plorans ploravit | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 0 | 2B | 103 BPM | ||
Concerto in A Minor for Violin, BWV 1041: Concerto in A Minor for Violin, BWV 1041: II. Andante | Johann Sebastian Bach, Andrew Manze, Academy of Ancient Music | B Major | 1 | 1B | 175 BPM | ||
Salve Regina in F minor: 3. Eia ergo, advocata nostra | Giovanni Battista Pergolesi, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | F♯ Minor | 2 | 11A | 78 BPM | ||
Stabat Mater: No. 10, Sancta Mater. Andante moderato (Alto Solo) | Alessandro Scarlatti, Sara Mingardo, Concerto Italiano, Rinaldo Alessandrini | F♯ Minor | 0 | 11A | 116 BPM | ||
Rinaldo / Act 1: Aria: Combatti da forte | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | A Major | 2 | 11B | 107 BPM | ||
Rinaldo / Act 2: Recitativo: Armida dispietata! | George Frideric Handel, Cecilia Bartoli, Gerald Finley, Academy of Ancient Music, Christopher Hogwood | A Major | 2 | 11B | 107 BPM | ||
Membra Jesu Nostri, BuxWV 75: Concerto [Ad pedes] | Dietrich Buxtehude, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Ricercar Consort, Matthias Vieweg | D♭ Major | 3 | 3B | 114 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad genua: Aria "Quid sum tibi responsurus" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Carlos Mena | C Minor | 2 | 5A | 90 BPM | ||
Couperin, F: Première leçon de ténèbres pour le Mercredi saint: II. Aleph | François Couperin, William Christie, Sophie Daneman, Les Arts Florissants | D♭ Minor | 2 | 12A | 93 BPM |