"Christus vincit (Arr. G. Hancock)" by Joseph Noyon, The Choir of Saint Thomas Church, Saint Thomas Brass, Jeremy Bruns, John Scott was released on 2006. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 16 in Easter on Fifth Avenue by The Choir of Saint Thomas Church, Jeremy Bruns, Saint Thomas Brass, John Scott. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Christus vincit (Arr. G. Hancock)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Christus vincit (Arr. G. Hancock) by Joseph Noyon, The Choir of Saint Thomas Church, Saint Thomas Brass, Jeremy Bruns, John Scott is Allegro (fast, quick, and bright), since this song has a tempo of 130 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lullaby (Guten Abend, gut' Nacht) | Johannes Brahms, Fabian Müller | E♭ Major | 0 | 5B | 70 BPM | ||
Christus vincit (Arr. G. Hancock) | Joseph Noyon, The Choir of Saint Thomas Church, Saint Thomas Brass, Jeremy Bruns, John Scott | A♭ Minor | 2 | 1A | 130 BPM | ||
Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte | Francis Poulenc, Netherlands Chamber Choir | C Minor | 3 | 5A | 133 BPM | ||
Symphonie pour les soupers du roy: 2ème air | Michel Richard Delalande, Thierry Caens, Les Cuivres Français | D Major | 2 | 10B | 77 BPM | ||
Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Kyrie | César Franck, Mariann Bódi, Atilla Wendler, Istvan Racz (bass), Dezső Karasszon, Andrea Kocsis, Zsolt Molnár, Ferenc Nagy, Debrecen Kodály Choir, Salamon Kamp | A Major | 0 | 11B | 65 BPM | ||
Maidan 2014 / Cycle I: III. Give Rest, O Christ, to Thy Servant | Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych | F Minor | 0 | 4A | 77 BPM | ||
Uber allen Gipfeln ist Ruh | Friedrich Kuhlau, Carl Maria von Weber Men's Choir, Berlin | A Major | 1 | 11B | 177 BPM | ||
Weep, O mine eyes | John Bennet, The King's Singers | A♭ Minor | 0 | 1A | 127 BPM | ||
Handel: Rinaldo, HWV 7, Act 2: Aria. "Lascia ch'io pianga" (Almirena) | George Frideric Handel, Claudio Scimone, I Solisti Veneti, Marilyn Horne | D Major | 1 | 10B | 87 BPM | ||
Hymne des Chérubins | Chorale Laetare | F♯ Major | 1 | 2B | 105 BPM |