"Tenebrae Responsories for Maundy Thursday: Ecce vidimus eum: a. Respond. Ecce vidimus eum" by Carlo Gesualdo, Owain Park, The Gesualdo Six was released on March 4, 2022. With Tenebrae Responsories for Maundy Thursday: Ecce vidimus eum: a. Respond. Ecce vidimus eum being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in The Gesualdo Six, Thomas Tallis, Owain Park, Judith Bingham, Carlo Gesualdo, Joanna Ward's "Gesualdo: Tenebrae Responsories for Maundy Thursday; Tallis: Lamentations" album is number 24 out of 58. On top of that, United Kingdom appears to be the country where this track was created. Tenebrae Responsories for Maundy Thursday: Ecce vidimus eum: a. Respond. Ecce vidimus eum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tenebrae Responsories for Maundy Thursday: Ecce vidimus eum: a. Respond. Ecce vidimus eum by Carlo Gesualdo, Owain Park, The Gesualdo Six to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa ex B: XIII. Genitum, non factum - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 2 | 6B | 101 BPM | ||
Missa Tempore Quadragesimae, MH 553: Credo | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F♯ Major | 3 | 2B | 91 BPM | ||
Geistliche und weltliche Lieder: XIV, Wohl dem, der den Herren fürchtet | Leonard Lechner, Kristen Witmer, Daniel Schreiber, Raphael Höhn, Wolf Matthias Friedrich, Capricornus Ensemble Stuttgart, Henning Wiegrabe | E♭ Major | 2 | 5B | 96 BPM | ||
Bacco, Bacco | Mattio Rampollini, Capilla Flamenca | F Major | 5 | 7B | 112 BPM | ||
Airs de cour à quatre & cinq parties, Livre I: Bien qu'un cruel martire | Pierre Guédron, Le Poème Harmonique, Vincent Dumestre | E Minor | 1 | 9A | 117 BPM | ||
Prima die Lectio prima: III. Quomodo sedet sola | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Minor | 1 | 11A | 89 BPM | ||
Taaveti laulud 22, "Mu Jumal! Mu Jumal!" (Psalm 22, "My God, my God?") | Cyrillus Kreek, Estonian Philharmonic Chamber Choir, Daniel Reuss | G Major | 0 | 9B | 80 BPM | ||
D'un autre amer: D'ung aultre amer | Johannes Ockeghem, Capilla Flamenca | D Minor | 1 | 7A | 86 BPM | ||
Auferstehungshistorie, SWV 50: (Introitus) Die Auferstehung unseres Herren Jesu Christi | Heinrich Schütz, Ensemble Polyharmonique | D Minor | 3 | 7A | 134 BPM | ||
3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | C Minor | 1 | 5A | 86 BPM |