"Missa ex B: XIII. Genitum, non factum - Live at Melk Abbey, 5/30/2004" by Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl was released on April 19, 2024. With Missa ex B: XIII. Genitum, non factum - Live at Melk Abbey, 5/30/2004 being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 29 in Biber: Missa ex B (Live at Melk Abbey, 5/30/2004) by Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Missa ex B: XIII. Genitum, non factum - Live at Melk Abbey, 5/30/2004 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa ex B: XIII. Genitum, non factum - Live at Melk Abbey, 5/30/2004 by Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl is Andante (at a walking pace), since this song has a tempo of 101 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cancionero Musical de la Colombina: No. 48,, Dime triste coraçón | Francisco de la Torre, Música Temprana, Adrian Rodriguez van der Spoel | D Minor | 0 | 7A | 91 BPM | ||
O Salutaris Hostia | Pierre de la Rue, Netherlands Chamber Choir, Paul Van Nevel | G Major | 1 | 9B | 135 BPM | ||
Missa pro defunctis: III. Séquence | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | A Minor | 3 | 8A | 108 BPM | ||
Angelic Symphony | LeoRoads | A Minor | 1 | 8A | 93 BPM | ||
The Letter | Stuart Beatch, The Fourth Choir, Dominic Ellis-Peckham | F Major | 1 | 7B | 91 BPM | ||
Requiem in F Minor, C 8: Ia. Introitus | Heinrich Ignaz Franz von Biber, Vox Luminis, Freiburger BarockConsort, Lionel Meunier | F Minor | 1 | 4A | 180 BPM | ||
Ave Regina Coelorum | Philip Stopford, Truro Cathedral Choir, Christopher Gray | B♭ Major | 0 | 6B | 74 BPM | ||
Abendlied Op. 693 | Calmus Ensemble | E♭ Major | 1 | 5B | 80 BPM | ||
All'imperio d'Amore: 10. Donne le celeste lume a 9 "Stravaganza d'Amore" | Luca Marenzio, Ensemble Pygmalion, Raphael Pichon | C Major | 2 | 8B | 79 BPM | ||
The Armed Man (Ensemble Version): III. Kyrie | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM |