"Bellini: I puritani, Act 2 Scene 3: Aria, "Qui la voce sua soave … O rendetemi la speme" (Elvira)" by Vincenzo Bellini, Angela Gheorghiu, Evelino Pidò, London Symphony Orchestra was released on June 4, 2001. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 'Casta Diva', so we believe that "Bellini: I puritani, Act 2 Scene 3: Aria, "Qui la voce sua soave … O rendetemi la speme" (Elvira)" is a single. Based on our statistics, Bellini: I puritani, Act 2 Scene 3: Aria, "Qui la voce sua soave … O rendetemi la speme" (Elvira)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bellini: I puritani, Act 2 Scene 3: Aria, "Qui la voce sua soave … O rendetemi la speme" (Elvira) by Vincenzo Bellini, Angela Gheorghiu, Evelino Pidò, London Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 136 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma / Act 2: Mira, o Norma | Vincenzo Bellini, Beverly Sills, Shirley Verrett, New Philharmonia Orchestra, James Levine | F Major | 1 | 7B | 160 BPM | ||
Rachel, quand du Seigneur (La Juive) | Richard Tucker, The Columbia Opera Orchestra | F Minor | 2 | 4A | 92 BPM | ||
I Puritani | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Marilyn Horne, Wiener Opernorchester, Henry Lewis | D♭ Major | 3 | 3B | 174 BPM | ||
Norma / Act 2: Dormono entrambi | Vincenzo Bellini, Beverly Sills, Delia Wallis, New Philharmonia Orchestra, James Levine | D Minor | 0 | 7A | 87 BPM | ||
A Chloris | Reynaldo Hahn, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 1 | 12B | 175 BPM | ||
Addio fiorito asil | Carlo Bergonzi | D♭ Major | 2 | 3B | 74 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 2 | 12B | 81 BPM | ||
Malinconia, ninfa gentile | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | E Major | 2 | 12B | 94 BPM |