"Norma / Act 2: Mira, o Norma" by Vincenzo Bellini, Beverly Sills, Shirley Verrett, New Philharmonia Orchestra, James Levine was released on January 1, 2009. Norma / Act 2: Mira, o Norma is about six minutes long, preciously at 6:22, making this song fairly long compared to other songs. The song is number 9 out of 42 in Bellini: Norma by Vincenzo Bellini, Beverly Sills, Shirley Verrett, Enrico di Giuseppe, Paul Plishka, New Philharmonia Orchestra, James Levine, John Alldis Choir. The popularity of Norma / Act 2: Mira, o Norma is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Norma / Act 2: Mira, o Norma by Vincenzo Bellini, Beverly Sills, Shirley Verrett, New Philharmonia Orchestra, James Levine is Vivace (lively and fast), since this song has a tempo of 160 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 5/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Louise / Act 3: "Depuis le jour" | Gustave Charpentier, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 1 | 9B | 89 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino) | Wolfgang Amadeus Mozart, Riccardo Muti, Ann Murray, Wiener Philharmoniker | B♭ Major | 1 | 6B | 111 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
Il Barbiere di Siviglia: Act I: Piano, pianissimo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 3 | 8B | 127 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Svanir le voci!" | Vincenzo Bellini, John Osborn, Reinaldo Macias, Orchestra La Scintilla, Giovanni Antonini | B Major | 1 | 1B | 78 BPM | ||
Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, José Carreras, Domenico Trimarchi, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E♭ Major | 2 | 5B | 102 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 2: "Vanne, e li cela entrambi" | Vincenzo Bellini, Cecilia Bartoli, Liliana Nikiteanu, Orchestra La Scintilla, Giovanni Antonini | A Major | 1 | 11B | 74 BPM | ||
Serse / Act 1 HWV40: "Ombra mai fu" | George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | E Major | 1 | 12B | 90 BPM |