"Violin Concerto No. 2 in C-Sharp Minor, Op. 129: I. Moderato" by Dmitri Shostakovich, Ilya Kaler, Polish National Radio Symphony Orchestra, Antoni Wit was released on April 19, 1997. Violin Concerto No. 2 in C-Sharp Minor, Op. 129: I. Moderato appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Shostakovich: Violin Concertos Nos. 1 and 2". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Violin Concerto No. 2 in C-Sharp Minor, Op. 129: I. Moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto No. 2 in C-Sharp Minor, Op. 129: I. Moderato by Dmitri Shostakovich, Ilya Kaler, Polish National Radio Symphony Orchestra, Antoni Wit having a テンポ of 105 with a half-time of 52 テンポ and a double-time of 210 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | ||
String Quartet No. 13 in B-Flat Major, Op. 130: II. Presto | Ludwig van Beethoven, Kodály Quartet | B♭ Minor | 1 | 3A | 162 BPM | ||
Viola d'amore Concerto in A Minor, RV 397: I. Vivace | Antonio Vivaldi, Rachel Barton Pine, Ars Antigua | A♭ Minor | 2 | 1A | 139 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Alfred Brendel | F Major | 0 | 7B | 135 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Paganini variations: Variation 4 | Eugène Ysaÿe, Laurent Korcia, Haruko Ueda | A Minor | 1 | 8A | 97 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM |