"4 Songs on Chinese Poetry: No. 2, V bambusovém háji" by Pavel Haas, Karel Berman, Alfred Holeček was released on January 1, 1991. The duration of 4 Songs on Chinese Poetry: No. 2, V bambusovém háji is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. 4 Songs on Chinese Poetry: No. 2, V bambusovém háji's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 17 in Composers from Theresienstadt, 1941-1945: Works by Pavel Haas & Karel Berman by Karel Berman, Alfred Holeček, Přemysl Charvát. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, 4 Songs on Chinese Poetry: No. 2, V bambusovém háji is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 4 Songs on Chinese Poetry: No. 2, V bambusovém háji by Pavel Haas, Karel Berman, Alfred Holeček is Andante (at a walking pace), since this song has a tempo of 99 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abbey Road concerto for Violin and Orchestra: IV. Intermezzo 2 | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | G Major | 1 | 9B | 75 BPM | ||
Sarlatan / Act 3: Zde víno! | Pavel Haas, Miroslav Svejda, Vladimir Chmelo, Leo Marian Vodička, Ales Briscein, Prague State Opera Orchestra, Israel Yinon | A Major | 1 | 11B | 131 BPM | ||
Suite for Oboe and Piano, Op. 17: III. Moderato | Pavel Haas, Mark Hill, Audrey Andrist | F♯ Minor | 1 | 11A | 108 BPM | ||
Clarinet Sonata in D Major: I. Allegretto scorrevole | Nino Rota, Goran Gojevic, Mary Kenedi | D Major | 0 | 10B | 84 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (4) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Fugata (Arr. for Violin & String Orchestra by Ken Selden) | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | ||
Sandström: Sueño Macabros: IV Gatear en el la Mona Lisa | Jan Sandström, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 0 | 5B | 178 BPM | ||
Concerto for Violin and Orchestra: IV. Fast | Julia Perry, Curtis J Stewart, James Blachly, Experiential Orchestra | C Major | 4 | 8B | 89 BPM | ||
Serenade in C Major, Op. 10: II. Romanza: Adagio non troppo, quasi andante | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | F Major | 0 | 7B | 76 BPM | ||
2 Mélodies hébraïques, M.22: 2. L'énigme Eternelle (Performed On Viola And Piano) | Maurice Ravel, Danusha Waskiewicz, Andrea Rebaudengo | C Minor | 0 | 5A | 69 BPM |