"2 Mélodies hébraïques, M.22: 2. L'énigme Eternelle (Performed On Viola And Piano)" by Maurice Ravel, Danusha Waskiewicz, Andrea Rebaudengo was released on February 24, 2017. With 2 Mélodies hébraïques, M.22: 2. L'énigme Eternelle (Performed On Viola And Piano) being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Songs For Viola And Piano". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Italy. 2 Mélodies hébraïques, M.22: 2. L'énigme Eternelle (Performed On Viola And Piano) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 2 Mélodies hébraïques, M.22: 2. L'énigme Eternelle (Performed On Viola And Piano) by Maurice Ravel, Danusha Waskiewicz, Andrea Rebaudengo having a テンポ of 69 with a half-time of 34 テンポ and a double-time of 138 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 9 in E-Flat Major, Op. 117: IV. Adagio | Dmitri Shostakovich, Carducci String Quartet | D♭ Major | 0 | 3B | 83 BPM | ||
Concierto Pastoral for Flute and Orchestra: II. Adagio | Joaquín Rodrigo, Sami Junnonen, Helsinki Chamber Orchestra, James S. Kahane | F♯ Minor | 0 | 11A | 80 BPM | ||
Reves | David Abramovitz, Claire Brua, Maurice Ravel | G Minor | 0 | 6A | 89 BPM | ||
Ravel: Ma mère l'Oye, M. 62: III. Pavane de la Belle au bois dormant | Maurice Ravel, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 0 | 8A | 68 BPM | ||
String Quartet No. 8 in B-Flat Major, D. 112: II. Andante sostenuto | Franz Schubert, Takács Quartet | G Minor | 0 | 6A | 97 BPM | ||
Asunder: I. Agitated | Vijay Iyer, Boston Modern Orchestra Project, Gil Rose | B Minor | 2 | 10A | 104 BPM | ||
Symphonic Dances, Op. 64: II. Allegretto grazioso | Edvard Grieg, Bergen Philharmonic Orchestra, Edward Gardner | F Minor | 1 | 4A | 73 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
PROLOGUE (Quasi Niente from Piano Sonata No. 1 in F Minor, Op. 6: IV. Funebre) | Alexander Scriabin, Julius Asal | E♭ Minor | 0 | 2A | 136 BPM | ||
Variations on a theme of Paganini: Var. 7-10. Allegro vivace | Marc-André Hamelin | C Major | 0 | 8B | 129 BPM |