"Ravel: Ma mère l'Oye, M. 62: III. Pavane de la Belle au bois dormant" by Maurice Ravel, Sir Simon Rattle, Berliner Philharmoniker was released on February 2, 2024. The duration of Ravel: Ma mère l'Oye, M. 62: III. Pavane de la Belle au bois dormant is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Ravel: Ma mère l'Oye, M. 62: III. Pavane de la Belle au bois dormant's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Ravel: L'enfant et les sortilèges & Ma mère l'Oye". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Ravel: Ma mère l'Oye, M. 62: III. Pavane de la Belle au bois dormant is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ravel: Ma mère l'Oye, M. 62: III. Pavane de la Belle au bois dormant by Maurice Ravel, Sir Simon Rattle, Berliner Philharmoniker having a テンポ of 68 with a half-time of 34 テンポ and a double-time of 136 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in C Minor, Op. 65: IV. Largo | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | A♭ Major | 0 | 4B | 72 BPM | ||
Bacchus, Act III Tableau 2: Les Mysteres dionysiaques: Initiation II | Jules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick Gallois | F Major | 1 | 7B | 89 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: VI. Pastorale | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 182 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 8, Promenade IV (Tranquillo) | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | F Major | 0 | 7B | 75 BPM | ||
Chant du ménestrel, Op. 71 | Alexander Glazunov, Pablo Ferrandez, Julien Quentin | D Major | 1 | 10B | 88 BPM | ||
Orchestral Suite No. 2, Op. 11: III. Kehtolaulu. Andante semplice | Helvi Leiviskä, Dalia Stasevska, Sinfonia Lahti | A Minor | 0 | 8A | 85 BPM | ||
Symphonic Dances, Op. 45: I. Non allegro | Sergei Rachmaninoff, Berliner Philharmoniker, Kirill Petrenko | D Minor | 1 | 7A | 80 BPM | ||
Piano Concerto No. 4 in G Major, Op. 58: I. Allegro moderato | Ludwig van Beethoven, Daniel Barenboim, Berliner Philharmoniker | G Major | 1 | 9B | 98 BPM | ||
Lachian Dances, JW VI/17: No. 2. Pozehnany (Blessed) | Leoš Janáček, WDR Sinfonieorchester Köln, Gerd Albrecht | F Major | 1 | 7B | 60 BPM | ||
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 1, Prélude - No. 2, Scène de l’hiver | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM |