"Mad Scene: A vos jeux mes amis (from Hamlet)" by Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli was released on August 16, 2011. Since Mad Scene: A vos jeux mes amis (from Hamlet) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Dame Joan Sutherland's "Joan Sutherland "La Stupenda"" album is number 8 out of 10. Mad Scene: A vos jeux mes amis (from Hamlet) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mad Scene: A vos jeux mes amis (from Hamlet) by Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Vestale (1997 Digital Remaster): O nome tutelar | Tullio Serafin, Maria Callas, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 86 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Catalani: La Wally, Act 1: "Ebben? Andrò sola e lontana" (Wally) | Alfredo Catalani, Lamberto Gardelli, Munich Radio Orchestra | E Major | 1 | 12B | 168 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Renata Tebaldi, Orchestre National de l'Opéra de Monte-Carlo, Fausto Cleva | E Major | 1 | 12B | 66 BPM | ||
Il Barbiere di Siviglia: Act I: Piano, pianissimo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 3 | 8B | 127 BPM | ||
È strano… Ah fors'è lui… Sempre libera (from La Traviata) | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | D Major | 1 | 10B | 101 BPM | ||
Exsultate, jubilate, K.165: 4. Alleluia | Wolfgang Amadeus Mozart, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 103 BPM | ||
Norma | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | G Major | 2 | 9B | 126 BPM | ||
"Depuis le jour" | Gustave Charpentier, Anna Netrebko | G Major | 1 | 9B | 87 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM |