"Il Sogno Di Scipione, Azione Teatrale, Kv 126: Recitativo Scipione, Costanza: E A Sì Enorme Possanza" by Jed Wentz, Daniel Reuss, Francine Van Der Heyden, Emilio, Arts Music Recording, Rotterdam, Claron Mc Fadden, Publio, Claudia Patacca, Musica ad Rhenum, Fortuna, Marcel Reijans, Wolfgang Amadeus Mozart, La Licenza, Cappella Amsterdam, Terence Mierau, Costanza was released on March 28, 2007. The duration of Il Sogno Di Scipione, Azione Teatrale, Kv 126: Recitativo Scipione, Costanza: E A Sì Enorme Possanza is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Il Sogno Di Scipione, Azione Teatrale, Kv 126: Recitativo Scipione, Costanza: E A Sì Enorme Possanza's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jed Wentz, Daniel Reuss's "Mozart Edition Volume 17" album is number 5 out of 25. Based on our statistics, Il Sogno Di Scipione, Azione Teatrale, Kv 126: Recitativo Scipione, Costanza: E A Sì Enorme Possanza's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Il Sogno Di Scipione, Azione Teatrale, Kv 126: Recitativo Scipione, Costanza: E A Sì Enorme Possanza by Jed Wentz, Daniel Reuss, Francine Van Der Heyden, Emilio, Arts Music Recording, Rotterdam, Claron Mc Fadden, Publio, Claudia Patacca, Musica ad Rhenum, Fortuna, Marcel Reijans, Wolfgang Amadeus Mozart, La Licenza, Cappella Amsterdam, Terence Mierau, Costanza to be Allegro (fast, quick, and bright) because the track has a tempo of 133 テンポ, a half-time of 66テンポ, and a double-time of 266 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schubert: String Quartet No. 9 in G Minor, D. 173: II. Andantino | Franz Schubert, Cherubini-Quartett | C Major | 1 | 8B | 110 BPM | ||
Quartet for Flute, Violin, Viola and Violoncello No.1 in D Major, K.285: I. Allegro | W.A.Mozart, Karl-Heinz Schütz, Albena Danailova, Tobias Lea, Tamas Varga | D Major | 2 | 10B | 133 BPM | ||
Cello Concerto in A Major: III. Rondo. Allegro | Johann Rudolf Zumsteeg, Sebastian Comberti, Orchestra of the Age of Enlightenment, Margaret Faultless | A Major | 7 | 11B | 140 BPM | ||
Messe pour le sacre de Napoléon: III. Gloria, Laudamus te | Giovanni Paisiello, Sandrine Piau, Chantal Santon Jeffery, Éléonore Pancrazi, Mathias Vidal, Thomas Dolie, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | D Major | 2 | 10B | 76 BPM | ||
Albinoni: Oboe Concerto in G Minor, Op. 9 No. 8: II. Adagio | Tomaso Albinoni, Claudio Scimone, Pierre Pierlot, I Solisti Veneti | D Major | 3 | 10B | 104 BPM | ||
Der Fischer und das Milchmädchen: XVI. Andante agitato | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Semele, HWV 58 / Act 1: Ah! Ne! - O Jove! | George Frideric Handel, Kathleen Battle, English Chamber Orchestra, John Nelson | C Minor | 0 | 5A | 96 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 4: Air gracieux et gay | Jean-Joseph Cassanéa De Mondonville, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | F Minor | 4 | 4A | 141 BPM | ||
Serse, HWV 40, Act I: O voi, che penate (Romilda, Arsamene, Elviro, Serse) | George Frideric Handel, Ann Murray, Ivor Bolton, Christopher Robson, Patricia Bardon, Umberto Chiummo, Yvonne Kenny, Julie Kaufmann, Jan Zinkler, Chor der Bayerischen Staatsoper, Bavarian State Orchestra | E Minor | 2 | 9A | 147 BPM | ||
L'Amant anonyme: Ouverture: III. Presto | Joseph Bologne, Chevalier de Saint-Georges, La Cetra Barockorchester Basel, Andrea Marcon | F Major | 1 | 7B | 138 BPM |