"Carmina Burana: Omnia sol temperat" by Carl Orff, Cleveland Orchestra, Michael Tilson Thomas had its release date on 1975. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Carmina Burana: Omnia sol temperat's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Orff: Carmina Baruna". In this album, this song's track order is #4. In terms of popularity, Carmina Burana: Omnia sol temperat is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana: Omnia sol temperat by Carl Orff, Cleveland Orchestra, Michael Tilson Thomas having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Bizet: Carmen, Act 2: "Toréador, en garde" (Amis d'Escamillo) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Kostas Smoriginas | F Major | 1 | 7B | 115 BPM | ||
Air des clochettes (Extrait de Lakmé) | Léo Delibes, Orchestre Paul Kuentz, Elisabeth Vidal | G Major | 1 | 9B | 129 BPM | ||
Cavalleria rusticana: "A casa, amici" - "Comare Lola" | Pietro Mascagni, The London Opera Chorus, Luciano Pavarotti, Carmen Gonzales, National Philharmonic Orchestra, Gianandrea Gavazzeni | C Major | 1 | 8B | 86 BPM | ||
The Bells, Op. 35: I. Allegro, ma non tanto | Sergei Rachmaninoff, Oleg Dolgov, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Mariss Jansons | A♭ Major | 2 | 4B | 124 BPM | ||
Romeo and Juliet, Op.64 - Act 1: Juliet's Variation | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 1 | 7B | 68 BPM | ||
Benedictus | Natalia Sokolova | B♭ Major | 2 | 6B | 83 BPM | ||
Tosca / Act III: "E lucevan le stelle" | Giacomo Puccini, José Carreras, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 74 BPM | ||
Strauss II, J: Frühlingsstimmen, Op. 410 | Johann Strauss II, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester | E♭ Major | 2 | 5B | 106 BPM | ||
Fauré: Super flumina Babylonis | Gabriel Fauré, Paavo Järvi, Choeur de l'Orchestre de Paris, Laetitia Singleton, Maria Virginia Savastano, Mathias Vidal, Ugo Rabec, Orchestre de Paris | A Minor | 1 | 8A | 115 BPM |